Pythagorean Tuning - Pythagorean Intervals

Pythagorean Intervals

Four of the above mentioned intervals take a specific name in Pythagorean tuning. In the following table, these specific names are provided, together with alternative names used generically for some other intervals. Notice that the Pythagorean comma does not coincide with the diminished second, as its size (524288:531441) is the reciprocal of the Pythagorean diminished second (531441:524288). Also ditone and semiditone are specific for Pythagorean tuning, while tone and tritone are used generically for all tuning systems. Interestingly, despite its name, a semiditone (3 semitones, or about 300 cents) can hardly be viewed as half of a ditone (4 semitones, or about 400 cents). All the intervals with prefix sesqui- are justly tuned, and their frequency ratio, shown in the table, is a superparticular number (or epimoric ratio). The same is true for the octave.

Number of
semitones
Generic names Specific names
Quality and number Other naming conventions Pythagorean tuning 5-limit tuning 1/4-comma
meantone
Full Short
0 comma Pythagorean comma
(524288:531441)
diesis (128:125)
0 diminished second d2 (531441:524288)
1 minor second m2 semitone,
half tone,
half step
diatonic semitone,
minor semitone
limma (256:243)
1 augmented unison A1 chromatic semitone,
major semitone
apotome (2187:2048)
2 diminished third d3 tone, whole tone, whole step
2 major second M2 sesquioctavum (9:8)
3 minor third m3 semiditone (32:27) sesquiquintum (6:5)
4 major third M3 ditone (81:64) sesquiquartum (5:4)
5 perfect fourth P4 diatessaron sesquitertium (4:3)
6 diminished fifth d5 tritone
6 augmented fourth A4
7 perfect fifth P5 diapente sesquialterum (3:2)
12 (perfect) octave P8 diapason duplex (2:1)

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