President of Belarus - Symbols

Symbols

Officially, the only symbol denoting the presence of the President is the standard of the office (Штандарт Президента Республики Беларусь). The standard, which has been in use since March 27, 1997, was adopted by a decree called "Concerning the Standard of the President of Republic of Belarus." signed into law by President Lukashenko.

The standard's design is an exact copy of the national flag, with the addition of the Belarusian national emblem in gold. The standard's ratio of 5:6 differs from that of the national flag, making the standard almost square. The standard is bordered by a golden fringe. There are several copies of the standard; the original is kept in the office of the President while other copies are used on buildings, residences and vehicles to denote his presence.

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Famous quotes containing the word symbols:

    The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand, which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods.
    Ralph Waldo Emerson (1803–1882)

    Many older wealthy families have learned to instill a sense of public service in their offspring. But newly affluent middle-class parents have not acquired this skill. We are using our children as symbols of leisure-class standing without building in safeguards against an overweening sense of entitlement—a sense of entitlement that may incline some young people more toward the good life than toward the hard work that, for most of us, makes the good life possible.
    David Elkind (20th century)

    Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.
    C. John Sommerville (20th century)