In Popular Culture
- PATH trains and stations have occasionally been the setting for music videos, commercials, and TV programs, sometimes as a stand-in for the New York City Subway. Notable examples are the video for the White Stripes's song "The Hardest Button to Button", which was taped at the 33rd Street Station and the video for the song Rattled By The Rush by the band Pavement which was taped at Pavonia/Newport, in addition to the Law & Order: Special Victims Unit episode "Control", and the Law & Order episode "Tabula Rasa".
- On trains bound for Newark or Hoboken from World Trade Center, a short, zoetrope-like advertisement can be seen in the tunnel before entering Exchange Place. There is also one on 33rd Street trains between 14th and 23rd Streets near the abandoned 19th Street Station.
- Every year, around Thanksgiving, PATH employees light a decorated Christmas tree at a switching station in the tunnel used by trains running from 33rd Street and Hoboken into the Pavonia/Newport station. This tradition has continued since the 1950s when a signal operator, Joe Wojtowicz, started hanging a string of Christmas lights in the tunnel. While PATH officials were initially concerned about putting up decorations in the tunnel, they later acquiesced and the tradition continues to this day. After the September 11, 2001 attacks, a back-lit U.S. flag was put up beside the tree as a tribute to the victims of the attacks.
Read more about this topic: Port Authority Trans-Hudson
Famous quotes containing the words popular culture, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“It is clear that in a monarchy, where he who commands the exceution of the laws generally thinks himself above them, there is less need of virtue than in a popular government, where the person entrusted with the execution of the laws is sensible of his being subject to their direction.”
—Charles Louis de Secondat Montesquieu (16891755)
“One of the oddest features of western Christianized culture is its ready acceptance of the myth of the stable family and the happy marriage. We have been taught to accept the myth not as an heroic ideal, something good, brave, and nearly impossible to fulfil, but as the very fibre of normal life. Given most families and most marriages, the belief seems admirable but foolhardy.”
—Jonathan Raban (b. 1942)