Pierre Corneille - Works

Works

Mélite, 1633 edition.
Le Cid, 1637 edition.
  • Mélite (1629)
  • Clitandre (1630–31)
  • La Veuve (1631)
  • La Galerie du Palais (1631–32)
  • La Suivante (1634)
  • La Place royale (1633–34)
  • Médée (1635)
  • L'Illusion comique (1636)
  • Le Cid (1637)
  • Horace (1640)
  • Polyeucte (1642)
La Place royale, 1637 edition.
L'Illusion comique, 1639 edition.
  • La Mort de Pompée (1643)
  • Cinna (1643)
  • Le Menteur (1643)
  • Rodogune (1644)
  • La Suite du Menteur (1645)
  • Théodore (1645)
  • Héraclius (1647)
  • Don Sanche d'Aragon (1650)
  • Andromède, (1650)
  • Nicomède, (1651)
  • Pertharite, (1651)
Cinna, 1643 edition.
Sophonisbe, 1663 edition.
  • L'Imitation de Jésus-Christ (1656)
  • Oedipe (1659)
  • Trois Discours sur le poème dramatique (1660)
  • La Toison d'or (1660)
  • Sertorius (1662)
  • Othon (1664)
  • Agésilas (1666)
  • Attila (1667)
  • Tite et Bérénice (1670)
  • Psyché (w/ Molière and Philippe Quinault,1671)
  • Pulchérie (1672)
  • Suréna (1674)

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    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
    Rebecca West (1892–1983)

    Great works constructed there in nature’s spite
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    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
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