Career
Polycarpou's work in movies include Evita (alongside Madonna), Oklahoma! and De-Lovely. On stage, he was the first actor to play the role of John in the musical Miss Saigon in London. He was an original cast member of the musical Les Misérables, and has played The Phantom in Andrew Lloyd Webber's The Phantom of the Opera. He has also appeared in the UK première of The Woods by David Mamet at the Finborough Theatre, London. Television work has included The Bill, Holby City, Casualty and Waking the Dead.
In February 2006, Polycarpou appeared in EastEnders, playing Yannis Pappas, father-in-law of character Carly Wicks for 3 episodes. More recently he played a leading role in the movie O Jerusalem, released in 2007. He also starred in a short film Broken alongside Michelle Collins playing the leading role of Solomon. The film, about a Greek Cypriot immigrant family in 1960s London won several international awards. He wrote and co-directed his own short film Mad George with ex-musician and long time friend John Hoare. The film has shown at several International Film Festivals.
Recent work includes playing Gash in Bryony Lavery's play Last Easter, directed by Douglas Hodge, at the Door Theatre in Birmingham, and the leading role of Daniel Warshowsky in the musical Imagine This at the New London Theatre in 2008.
In 2010, he starred alongside Sean Bean and Charlotte Rampling in the terrorist thriller, Cleanskin which will be released in 2012. He also appeared in the eighth series of Hustle for BBCTV directed by actor Adrian Lester.
Between 2010 and 2011 he appeared alongside Emma Williams and Michael Xavier in the Chichester Festival Theatre's Love Story. It later transferred to The Duchess Theatre where it had a short run.
He also worked at Chichester Festival Theatre between 24 September and 5 November 2011 - playing Beadle Bamford in Sweeney Todd (alongside Love Story producer Michael Ball as Sweeney Todd).
Read more about this topic: Peter Polycarpou
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)