Peter Pan (1954 Musical) - Background and Original Broadway Production

Background and Original Broadway Production

Several versions of Peter Pan were mounted early in the 20th century. In a nod to the original play, and the pantomime tradition it derives from, the title character of Peter Pan in the musical is usually played by a woman, including Mary Martin, Sandy Duncan and Cathy Rigby, among others.

Producer Edwin Lester, founder and director of the Los Angeles Civic Light Opera, obtained the American rights to Peter Pan and adapted it as a play with music for Mary Martin. The show was not successful in its pre-Broadway West Coast tour, so director Jerome Robbins hired lyricists Comden and Green and composer Jule Styne to add more songs, including "Never Never Land," "Distant Melody" and several other numbers, turning the show into a full-scale musical. The musical, instead of using Barrie's original ending, in which Peter simply allowed Wendy and the other children to return home, includes an additional scene that Barrie had written later and titled An Afterthought. In this ending, Peter returns after many years to take Wendy back to Never Never Land for spring cleaning. He finds that he has been away so long that Wendy is now an adult, married woman with a daughter. Despondent at first, he is delighted when Wendy's daughter Jane offers to be his new mother, and instead takes her with him.

The 1954 musical version of Peter Pan opened on October 20, 1954 at the Winter Garden Theatre in New York for a planned limited run of 152 performances. The show had been sold to NBC, which ensured that it was a financial success despite the limited run. It played its final performance on February 26, 1955. The revised score and Tony Award-winning performances by Martin and Ritchard made Peter Pan a success. A Broadway cast album was made of the songs, and is still in print today.

The show opened in a busy Broadway season, competing with such notable shows as The Boy Friend, Fanny, Silk Stockings, and Damn Yankees. However, while still in tryouts in Los Angeles, a deal was made for the show to be broadcast on the NBC anthology series Producers' Showcase on March 7, 1955. The show closed so that it could be broadcast on television, although box office continued to be strong throughout the Broadway run.

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