Peak Ground Acceleration - Comparison of Instrumental and Felt Intensity

Comparison of Instrumental and Felt Intensity

Peak ground acceleration provides a measurement of instrumental intensity, that is, ground shaking recorded by seismic instruments. Other intensity scales measure felt intensity, based on eyewitness reports, felt shaking, and observed damage. There is correlation between these scales, but not always absolute agreement since experiences and damage can be affected by many other factors, including the quality of earthquake engineering.

Generally speaking,

  • 0.001 g (0.01 m/s²) – perceptible by people
  • 0.02 g (0.2 m/s²) – people lose their balance
  • 0.50 g – very high; well-designed buildings can survive if the duration is short.

Read more about this topic:  Peak Ground Acceleration

Famous quotes containing the words comparison, instrumental, felt and/or intensity:

    But the best read naturalist who lends an entire and devout attention to truth, will see that there remains much to learn of his relation to the world, and that it is not to be learned by any addition or subtraction or other comparison of known quantities, but is arrived at by untaught sallies of the spirit, by a continual self-recovery, and by entire humility.
    Ralph Waldo Emerson (1803–1882)

    All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.
    Sarah M. Grimke (1792–1873)

    Have you seen but a bright lily grow
    Before rude hands have touch’d it?
    Have you mark’d but the fall of the snow
    Before the soil hath smutch’d it?
    Have you felt the wool of the beaver,
    Or swan’s down ever?
    Or have smelt of the bud of the brier,
    Or the nard in the fire?
    Or have tasted the bag of the bee?
    O so white, O so soft, O so sweet is she!
    Ben Jonson (1572–1637)

    When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.
    Raymond Chandler (1888–1959)