Folk Dance
The Kiev Opera and Ballet brought two productions to Moscow in 1936 as part of the first festival of Ukrainian Literature and Art: Mykola Lysenko's opera Natalka Poltavka, and Semen Hulak-Artemovsky's opera Zaporozhets za Dunayem (A Zaporizhian Beyond the Danube), the latter which included choreographed Ukrainian folk dances by Pavlo Virsky and Mykola Bolotov. The following year, Virsky and Bolotov founded the State Folk Dance Ensemble of the Ukrainian SSR, with which they developed an entire program of staged Ukrainian folk dances. With the outbreak World War II, and in the build-up to the Great Patriotic War, many ensembles suspended activity, as performers were enlisted to entertain the troops. Virsky continued his work with folk-themed choreography as the director of the Red Flag Song and Dance Ensemble of the Kiev Military District beginning in 1939. In 1942, he left as that ensemble, and became the artistic director of the Red Army Song and Dance Ensemble dancers, and remained in that post for many years.
In 1955, Virsky returned to Kiev to helm the State Folk Dance Ensemble of the Ukrainian SSR he founded, which had been reconstituted by others after the conclusion of the war. For the next 20 years (until his death in 1975) Pavlo Virsky developed the concepts of Ukrainian folk-stage dance further than had previously been imagined. He founded a school to train dancers in the technique he developed. He toured the world with his dancers, influencing Ukrainian dancers the world over.
Virsky died on July 5, 1975 in Kiev. The State Folk Dance Ensemble of the Ukrainian SSR was named after him in 1977.
Read more about this topic: Pavlo Virsky
Famous quotes containing the words folk and/or dance:
“In the past, the English tried to impose a system wherever they went. They destroyed the nation’s culture and one of the by- products of their systemisation was that they destroyed their own folk culture.”
—Martin Carthy (b. 1941)
“We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.”
—Martha Graham (1894–1991)