In music, a parallel chord (relative) is an auxiliary chord derived from one of the primary triads and sharing its function: subdominant, dominant and tonic and subdominant parallel, dominant parallel, and tonic parallel.
For example the major tonic and tonic parallel and minor tonic and tonic parallel.
| Major | Minor | ||||
| Parallel | Note letter in C | US name | Parallel | Note letter in C | US name |
| Tp | A minor | Submediant | tP | Eb major | Mediant |
| Sp | D minor | Supertonic | sP | Ab major | Submediant |
| Dp | E minor | Mediant | dP | Bb major | Subtonic |
- The tonic, subdominant, and dominant chords, in root position, each followed by its parallel. The parallel is formed by raising the fifth a whole tone.
- The minor tonic, subdominant, dominant, and their parallels, created by lowering the fifth (German)/root (US) a whole tone.
Read more about this topic: Parallel Key
Famous quotes containing the words parallel and/or chord:
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—Margaret Anderson (1886–1973)
“The notes, random
From tuning, wander into the heat
Like a new insect chirping in the scrub,
Untired at noon. A chord gathers and spills....”
—Philip Larkin (1922–1986)