The Oxford University Dramatic Society (OUDS) is the principal funding body and provider of theatrical services to the many independent student productions put on by students in Oxford, England. Not all student productions at Oxford University are awarded funding from the society; however it is rare, for example, for any student production at the Oxford Playhouse not to receive substantial funding from the society. The society funds many types of show, mostly at the Oxford Playhouse, Burton Taylor Theatre, and the individual college theatres such as the Moser Theatre at Wadham and the O'Reilly Theatre at Keble. All productions put on by Oxford University students can use the society's services, such as the website, the wardrobe, and advice from the committee.
The Society supports a competition for Freshers (Cuppers), held in Michaelmas Term and a New Writing Festival in Hilary Term. OUDS also supports an annual National UK Tour, which culminates in a long run at the Edinburgh Festival Fringe and, jointly with Thelma Holt, a Shakespeare production which tours Japan, with preview performances in the UK.
The society was founded in 1885 by Alec MacKinnon.
Read more about Oxford University Dramatic Society: Alumni
Famous quotes containing the words oxford university, university, dramatic and/or society:
“Christianity as an organized religion has not always had a harmonious relationship with the family. Unlike Judaism, it kept almost no rituals that took place in private homes. The esteem that monasticism and priestly celibacy enjoyed implied a denigration of marriage and parenthood.”
—Beatrice Gottlieb, U.S. historian. The Family in the Western World from the Black Death to the Industrial Age, ch. 12, Oxford University Press (1993)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
““The unities, sir,’ he said, “are a completeness—a kind of universal dovetailedness with regard to place and time—a sort of general oneness, if I may be allowed to use so strong an expression. I take those to be the dramatic unities, so far as I have been enabled to bestow attention upon them, and I have read much upon the subject, and thought much.””
—Charles Dickens (1812–1870)
“A society in which adults are estranged from the world of children, and often from their own childhood, tends to hear children’s speech only as a foreign language, or as a lie.... Children have been treated ... as congenital fibbers, fakers and fantasisers.”
—Beatrix Campbell (b. 1947)