Prose
In his prose works, he followed the example of Han Yu, promoting the Classical Prose Movement. While posted in Luoyang, Ouyang founded a group who made his “ancient prose” style a public cause. He was traditionally classed as one of the Eight Great Prose Masters of the Tang and Song. He is said to be more responsible than any other single writer for developing a new expressiveness in expository prose in a variety of genres.
Among his most famous prose works is the Zuiweng Tingji (literally, An Account of the Old Toper's Pavilion). The Zuiweng Pavilion near Chuzhou is named in his honor whilst the poem is a description of his pastoral lifestyle among the mountains, rivers and people of Chuzhou. The work is lyrical in its quality and acclaimed as one of the highest achievements of Chinese travel writing. Chinese commentators in the centuries immediately following the work's composition focused on the nature of the writing. Huang Zhen said that the essay is an example of "using writing to play around," and Cui Xian was reminded of the spirit of the Jin Dynasty. It was agreed that the essay was about fengyue, the elegant enjoyment of leisure. During the Qing Dynasty, however, commentators began to see past the playfulness of the piece to the thorough and sincere joy that the author found in the joy of others.
Read more about this topic: Ouyang Xiu
Famous quotes containing the word prose:
“Poetry is the language in which man explores his own amazement ... says heaven and earth in one word ... speaks of himself and his predicament as though for the first time. It has the virtue of being able to say twice as much as prose in half the time, and the drawback, if you do not give it your full attention, of seeming to say half as much in twice the time.”
—Christopher Fry (b. 1907)
“The crown of literature is poetry. It is its end and aim. It is the sublimest activity of the human mind. It is the achievement of beauty and delicacy. The writer of prose can only step aside when the poet passes.”
—W. Somerset Maugham (1874–1966)
“Despots play their part in the works of thinkers. Fettered words are terrible words. The writer doubles and trebles the power of his writing when a ruler imposes silence on the people. Something emerges from that enforced silence, a mysterious fullness which filters through and becomes steely in the thought. Repression in history leads to conciseness in the historian, and the rocklike hardness of much celebrated prose is due to the tempering of the tyrant.”
—Victor Hugo (1802–1885)