Early Career
Werner returned to the Burgtheater, and also acted in productions at the Raimund Theater and the Theater in der Josefstadt, frequently playing character roles. He made his film debut in Der Engel mit der Posaune, directed by Karl Hartl, in 1948. The following year he portrayed Ludwig van Beethoven's nephew Karl in Eroica.
In 1950, Werner journeyed to the United Kingdom to reprise the role he had played in Der Engel mit der Posaune in its English-language version, The Angel with the Trumpet, under the direction of Anthony Bushell. He and his wife divorced at about this time but remained friends. He appeared in a few more German/Austrian films before going to Hollywood for a lead role in the 20th Century Fox war film Decision Before Dawn. When the subsequent roles promised by the studio failed to materialize, he returned to Europe and settled in Triesen, Liechtenstein in a home he designed and built with a friend. He returned to the stage and performed in Hamlet, Danton's Death, Henry IV, Henry V, Torquato Tasso, and Becket, among others. In 1954 he married Anne Power, the daughter of French actress Annabella and adopted daughter of Tyrone Power.
After a period of inactivity in films, Werner appeared in five in 1955, among them Mozart, in which he played the title role, and Lola Montès, directed by Max Ophüls. It wasn't until 1962, when he appeared in Jules and Jim, that he began to draw critical acclaim and international recognition.
Read more about this topic: Oskar Werner
Famous quotes containing the words early and/or career:
“It is easy to see that, even in the freedom of early youth, an American girl never quite loses control of herself; she enjoys all permitted pleasures without losing her head about any of them, and her reason never lets the reins go, though it may often seem to let them flap.”
—Alexis de Tocqueville (1805–1859)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)