Patterns
"With over 300 different colors and patterns to choose from, you’re guaranteed to find an Oriental that will tickle your fancy. Imagine a Siamese wearing a head to toe coat in white, red, cream, ebony, blue, chestnut, lavender, cinnamon or fawn. These are our solids. For a sparkling undercoat, stir in the silver gene (to all but the white), and you have a smoke Oriental. Perhaps, instead, you'd like the color restricted to the tips of the hair. For this, we have the shadeds to whet your appetite. Paint splashes of red and/or cream on any of these coats and you have a parti-color."
Bob Agresta and Joann Kultala, CFA Breed Profile: Oriental- Solid
- Coat color is the uniform across the entire cat. Each hair shaft should be the same color from shaft to tip and be free of banding and tipping.
- Tabby coat pattern
- Tabby patterns include ticked, spotted, mackerel, and classic. Each hair shaft should have a band of color around the middle of the hair shaft.
- Bicolor pattern
- The bicolor pattern is created by the addition of a white spotting gene to any of the other accepted colors/patterns. The cat will have white on its belly, legs,and an inverted V on the face.
- Shaded pattern
- A Shaded cat will have a white undercoat with the tips being colored.
- Smoke pattern
- The hair shaft will have a narrow band of white at the base which can only be seen when the hair is parted.
- Parti-color
- A parti-color is essentially a patches of red/cream. patches may be well defined blotches of color to merled. This color is referred to as Tortoiseshell coat pattern in non-pedigreed cats.
Read more about this topic: Oriental Shorthair
Famous quotes containing the word patterns:
“Persons grouped around a fire or candle for warmth or light are less able to pursue independent thoughts, or even tasks, than people supplied with electric light. In the same way, the social and educational patterns latent in automation are those of self- employment and artistic autonomy.”
—Marshall McLuhan (1911–1980)
“I’ve begun to appreciate the generational patterns that ripple out from our lives like stones dropped in water, pulsing outward even after we are gone. Although we have but one childhood, we relive it first through our children’s and then our grandchildren’s eyes.”
—Anne Cassidy (20th century)
“For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?”
—Amy Lowell (1874–1925)