Work
Central themes of her theater work are "woman", "the suffering of individuals among the crowd" and "being a stranger either in the own or in the foreign society". She also puts emphasis on the sociopolitical context of the theater in its contemporary issues. In addition to her theatrical work she writes articles about the political and social situation, particularly the situation of women in Iran. She advocates for women's rights and for the rights of gays and lesbians in Iran and is involved in the Iranian art and cultural scene in exile for the rights of religious minorities in Iran, in particular the Bahais. In 2005, she was awarded the Persian "World Academy of Art, Literature and Media" in Budapest as the best theatre director in exile in category "the Performing Arts". In the same year her play Daughters of the Sun (Come,dance with me) was performed in Zurich by Maralam Theater under direction of Peter Braschler. The revival of her play No Man's Land was performed in German in March 2009 in (Karlsruhe) within the framework of the "Cultural Perspectives of Women festival 09". Her latest play "Face to Face at the Threshold of the Cold Season" is about two very important women of the iranian history "Tahirih Qurratu'l- ayn and Forough Farokhzad" had its premiere in October 2011
Read more about this topic: Niloofar Beyzaie
Famous quotes containing the word work:
“You do not become a “dissident” just because you decide one day to take up this most unusual career. You are thrown into it by your personal sense of responsibility, combined with a complex set of external circumstances. You are cast out of the existing structures and placed in a position of conflict with them. It begins as an attempt to do your work well, and ends with being branded an enemy of society.”
—Václav Havel (b. 1936)
“He will not idly dance at his work who has wood to cut and cord before nightfall in the short days of winter; but every stroke will be husbanded, and ring soberly through the wood; and so will the strokes of that scholar’s pen, which at evening record the story of the day, ring soberly, yet cheerily, on the ear of the reader, long after the echoes of his axe have died away.”
—Henry David Thoreau (1817–1862)
“It is easy to see that what is best written or done by genius in the world, was no man’s work but came by wide social labor, when a thousand wrought like one, sharing the same impulse.”
—Ralph Waldo Emerson (1803–1882)