Niloofar Beyzaie - Work

Work

Central themes of her theater work are "woman", "the suffering of individuals among the crowd" and "being a stranger either in the own or in the foreign society". She also puts emphasis on the sociopolitical context of the theater in its contemporary issues. In addition to her theatrical work she writes articles about the political and social situation, particularly the situation of women in Iran. She advocates for women's rights and for the rights of gays and lesbians in Iran and is involved in the Iranian art and cultural scene in exile for the rights of religious minorities in Iran, in particular the Bahais. In 2005, she was awarded the Persian "World Academy of Art, Literature and Media" in Budapest as the best theatre director in exile in category "the Performing Arts". In the same year her play Daughters of the Sun (Come,dance with me) was performed in Zurich by Maralam Theater under direction of Peter Braschler. The revival of her play No Man's Land was performed in German in March 2009 in (Karlsruhe) within the framework of the "Cultural Perspectives of Women festival 09". Her latest play "Face to Face at the Threshold of the Cold Season" is about two very important women of the iranian history "Tahirih Qurratu'l- ayn and Forough Farokhzad" had its premiere in October 2011


Read more about this topic:  Niloofar Beyzaie

Famous quotes containing the word work:

    It is not easy to imagine how little interested a scientist usually is in the work of any other, with the possible exception of the teacher who backs him or the student who honors him.
    Jean Rostand (1894–1977)

    It seemed pathetic and terrible to me and it still does, that men and women work eight hours a day at jobs that bring them no joy, no reward save a few dollars.
    Hortense Odlum (1892–?)

    Not rarely, and this is especially true of wives and mothers, the motive behind assuming a disproportionate share of work and responsibility is completely unselfish. We want to protect, to spare those of whom we are fond. We forget that, regardless of the motive, the results of such action are almost always destructive and unproductive.
    Hortense Odlum (1892–?)