Early Life
Nicholas Serota, the son of Stanley and Beatrice Serota, grew up in Hampstead, North London. His father was a civil engineer and his mother a civil servant, later a life peer and Labour Minister for Health in Harold Wilson's government and local government ombudsman. Serota was educated at Haberdashers' Aske's School and then read Economics at the University of Cambridge (Christ's), before switching to History of Art. He completed a Masters degree at the Courtauld Institute of Art, University of London, under the supervision of Michael Kitson and Anita Brookner; his thesis was on the work of J. M. W. Turner.
In 1969, Serota became Chairman of the new Young Friends of the Tate organisation with a membership of 750. They took over a building in Pear Place, south of Waterloo Bridge, arranging lectures and Saturday painting classes for local children. The Young Friends staged their own shows and applied for an Arts Council grant, but were asked to desist by the Tate Chairman and Trustees, who were concerned with the appearance of official backing for these ventures. Serota and his committee resigned, which caused the end of the Young Friends, whose accommodation was taken over for rehearsals by the National Theatre.
In 1970, he joined the Arts Council of Great Britain's Visual Arts Department as a regional exhibitions officer, and in 1973 he was made Director of the Museum of Modern Art, Oxford (now Modern Art Oxford. There he organised an important early exhibition of work by Joseph Beuys and formed an important working relationship with Alexander "Sandy" Nairne, who would work with Serota at various points in the following years.
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