The New Wave of British Heavy Metal, or NWOBHM /nˈwɒbm/, was a heavy metal movement that started in the late 1970s, in Britain, and achieved international attention by the early 1980s. After Sounds editor Alan Lewis coined the term, journalist Geoff Barton first used it in the May 1979 issue of Sounds magazine as a way of describing a second wave of heavy metal bands that emerged in the late 1970s during the period of punk rock's decline and the dominance of New Wave music. The movement developed as a reaction in part to the decline of early heavy metal bands such as Deep Purple, Led Zeppelin and Black Sabbath. NWOBHM bands toned down the blues influences of earlier acts, incorporated elements of punk, increased the tempo, and adopted a "tougher" sound, taking a harder approach to its music. It was an era directed almost exclusively at heavy metal fans and is considered to be a major foundation stone for the extreme metal genres; acts such as the American metal band Metallica cite NWOBHM bands like Saxon, Motörhead, Diamond Head, and Iron Maiden as a major influence on their musical style.
The NWOBHM came to dominate the heavy metal scene of the early-mid 1980s. NWOBHM was musically characterized by fast upbeat tempo songs, power chords, fast guitar solos and melodic, soaring vocals, with lyrical themes often drawing inspiration from mythology and fantasy fiction. Many of the bands of this era were signed to Neat Records, who has released volumes of NWOBHM compilations in later years.
Read more about New Wave Of British Heavy Metal: History, Etymology, Media Support, List of NWOBHM Bands
Famous quotes containing the words wave, british, heavy and/or metal:
“The city is loveliest when the sweet death racket begins. Her own life lived in defiance of nature, her electricity, her frigidaires, her soundproof walls, the glint of lacquered nails, the plumes that wave across the corrugated sky. Here in the coffin depths grow the everlasting flowers sent by telegraph.”
—Henry Miller (18911980)
“There is not a more disgusting spectacle under the sun than our subserviency to British criticism. It is disgusting, first, because it is truckling, servile, pusillanimoussecondly, because of its gross irrationality. We know the British to bear us little but ill willwe know that, in no case do they utter unbiased opinions of American books ... we know all this, and yet, day after day, submit our necks to the degrading yoke of the crudest opinion that emanates from the fatherland.”
—Edgar Allan Poe (18091845)
“Amy: I love good heavy metal.
Zack: Thats impossible. Thats like saying I love good root canal.”
—Blake Edwards (b. 1922)
“We are supposed to be the children of Seth; but Seth is too much of an effete nonentity to deserve ancestral regard. No, we are the sons of Cain, and with violence can be associated the attacks on sound, stone, wood and metal that produced civilisation.”
—Anthony Burgess (b. 1917)