New South Wales Rail Transport Museum - Exhibits

Exhibits

The Museum's extensive collection of railway locomotives, carriages, wagons and other railway equipment from NSWGR, SRA era and Privately own rolling stock. Some of the NSWGR and SRA preserved collection at Thirlmere includes:

  • E17 Class Steam Locomotive no. 18 (built 1866)
  • M36 Class Steam Locomotive no. 78 (built 1877)
  • Z17 Class Steam Locomotive no. 1709 (operational/Display; built 1887)
  • Z19 Class Steam Locomotive no. 1905 (built 1877)
  • Z25 Class Steam Locomotive no. 2510 (built 1881)
  • Z27 Class Steam Locomotive no. 2705 (operational; built 1913)
  • C35 Class Steam Locomotive no. 3526 (operational; built 1917)
  • C36 Class Steam Locomotives nos. 3609 (built 1928), 3616 (built 1927) and 3642 (operational; built 1926)
  • C38 Class Steam Locomotives nos. 3801 (Major Overhaul; built 1943) and 3820 (built 1947)
  • D55 Class Steam Locomotive no. 5595 (built 1924)
  • D59 Class Steam Locomotive no. 5910 (built 1952)
  • AD60 Class Steam Locomotive no. 6040 (Garratt type locomotive; built 1956)
  • 40 Class Diesel Locomotive no. 4001 (operational)
  • 41 class diesel locomotive Number 4102 (stored)
  • 42 class diesel locomotive Number 4201 (stored) EMD A16C
  • 43 class diesel locomotive Number 4306 (operational)
  • 44 class diesel locomotive Number 4490 (operational) Alco DL500
  • 442 class diesel locomotive Number 44211 (operational) Alco DL500G
  • 45 class diesel locomotive Number 4520 (stored) Alco DL541
  • 46 class electric locomotive Numbers 4601 (at Valley Heights), 4638 (stored)
  • 48 class diesel locomotive Number 4803 (operational) Alco DL531
  • 49 class diesel locomotive Number 4916 (operational)
  • 86 Class Electric Locomotive No. 8646 (static Display)

Read more about this topic:  New South Wales Rail Transport Museum

Famous quotes containing the word exhibits:

    It exhibits the effort of an essentially prosaic mind to lift itself, by a prolonged muscular strain, into poetry.
    Henry James (1843–1916)

    After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.
    Henry David Thoreau (1817–1862)

    Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.
    Willard Van Orman Quine (b. 1908)