History of Sculpture
The sculpture was originally commissioned by Cardinal Peretti Montalto, serving as a fountain to decorate the pond in the garden of his Villa Peretti Montalto on the Esquiline Hill in Rome. It was purchased by the Englishman Thomas Jenkins in 1786, from whom it was purchased later that year by the painter Joshua Reynolds. After Reynolds's death in 1792 it was sold to Charles Pelham, who kept it in the garden of his home in Chelsea, London, Walpole House. His descendants moved it in 1906 to their country house, Brocklesby Park, Lincolnshire. It was bought from the family by the Victoria and Albert Museum in 1950.
Read more about this topic: Neptune And Triton (Bernini)
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—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)
“It is the true office of history to represent the events themselves, together with the counsels, and to leave the observations and conclusions thereupon to the liberty and faculty of every man’s judgement.”
—Francis Bacon (1561–1626)
“What sculpture is to a block of marble, education is to an human soul.”
—Joseph Addison (1672–1719)