Ned Scott - Exhibits

Exhibits

Augustin Chavez curated an exhibit at the Palace of Fine Arts in Mexico City in 1980-81, and this exhibit included prints from Paul Strand and prints from Ned Scott negatives generated during the 1934 Redes experience. Chavez borrowed 86 Redes negatives from Ned Scott's widow in summer of 1979 for this exhibit and made exhibit prints from these negs for the Palace display.

The Cowboy and Western Heritage Museum in Oklahoma City mounted an exhibit detailing the production of the movie Stagecoach in 2003. Included in this exhibit were 22 display prints generated from Ned Scott's personal print collection which he saved from his own work on the film. Also included in this exhibit were a number of artifacts and ephemera from the film's creation. The New York Times heralded this exhibit with a detailed article on March 3, 2003. Actress and cast member Louise Platt wrote a lengthy letter to the Ned Scott Archive in support of this exhibit. She recalled her own experiences as a member of the cast, and she discussed her observations and feelings toward other cast members including Claire Trevor and John Wayne and Director John Ford. Excerpts from the letter were posted for all to see.

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Famous quotes containing the word exhibits:

    It exhibits the effort of an essentially prosaic mind to lift itself, by a prolonged muscular strain, into poetry.
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    Every woman who visited the Fair made it the center of her orbit. Here was a structure designed by a woman, decorated by women, managed by women, filled with the work of women. Thousands discovered women were not only doing something, but had been working seriously for many generations ... [ellipsis in source] Many of the exhibits were admirable, but if others failed to satisfy experts, what of it?
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    After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.
    Henry David Thoreau (1817–1862)