National Center For Missing and Exploited Children

The National Center for Missing and Exploited Children (NCMEC) is a private, non-profit organization established in 1984 by the United States Congress.

Read more about National Center For Missing And Exploited Children:  History, International Aspects, Global Missing Children's Network, Publications, Notable Board Members

Famous quotes containing the words national, center, missing, exploited and/or children:

    Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men’s language. Of course women learn it. We’re not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man’s world, so it talks a man’s language.
    Ursula K. Le Guin (b. 1929)

    Children can’t be a center of life and a reason for being. They can be a thousand things that are delightful, interesting, satisfying, but they can’t be a wellspring to live from. Or they shouldn’t be.
    Doris Lessing (b. 1919)

    Teenage girls are extremists who see the world in black-and- white terms, missing shades of gray. Life is either marvelous or not worth living. School is either pure torment or is going fantastically. Other people are either great or horrible, and they themselves are wonderful or pathetic failures. One day a girl will refer to herself as “the goddess of social life” and the next day she’ll regret that she’s the “ultimate in nerdosity.”
    Mary Pipher (20th century)

    Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.
    C. John Sommerville (20th century)

    Because we believe ourselves to be better parents than our parents, we expect to produce “better” children than they produced.
    Judith Viorst (20th century)