History
In the 10th and 11th centuries a composer of religious chants (Jovan of Duklja) was the oldest composer known from the Adriatic coast. At the end of the 12th century a script was made, now called Ljetopis Popa Dukljanina, which described the secular use of musical instruments.
Seven liturgies from the 15th century, written by a Venetian publisher L.A. Giunta, have been saved in a St. Clara monastery in Kotor. In those centuries the typical music "venetian style" was introduced to coastal Montenegro (then called Albania Veneta).
Religious music development was sparked in the 19th century, when a Catholic singing academy was opened in Kotor. Also, until the musical renaissance of the 20th century, Montenegrin music was mainly based on the simple traditional instrument, the gusle.The oldest singing society, named "Jedinstvo" (Unity) was formed in Kotor in 1839. In 1870 in Cetinje, the first Montenegrin Army Music started being formed—although not many people applied for the orchestra, because being a soldier was much more valued in Montenegrin society than being a musician.
Many scholars believe that the biggest contribution to Montenegrin music was the one from the Italian composer who spent the most part of his life in these areas: Dionisio de Sarno San Giorgio. With his "Balkan Empress" – inspired by the work of King Nikola, got all the praises of Italian critique in the second half of the XIX century.
The first music school in Montenegro was founded in 1934 in Cetinje. In the 20th century, Borislav Tamindžić helped bring attention to Montenegrin music.
Read more about this topic: Music Of Montenegro
Famous quotes containing the word history:
“The history of reform is always identical; it is the comparison of the idea with the fact. Our modes of living are not agreeable to our imagination. We suspect they are unworthy. We arraign our daily employments.”
—Ralph Waldo Emerson (1803–1882)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)
“The principle that human nature, in its psychological aspects, is nothing more than a product of history and given social relations removes all barriers to coercion and manipulation by the powerful.”
—Noam Chomsky (b. 1928)