Classical Music in Ireland
In the eighteenth century a number of musical clubs were formed, mainly in Dublin, for charitable purposes, which led to an upsurge in performances. Handel arrived in Dublin in 1742 to superintend the first performance of his famous oratorio. The Passerini and Damici families were favourite performers in Dublin at the operas, concerts and oratorios which were then popular.
Among the next generation of musicians was John Stevenson (1761–1833), who is best known for his publications of Irish Melodies with poet Thomas Moore. His works include religious music, catches, glees, odes, operas, songs and symphonies and accompaniments to airs. His contemporaries in the musical field were Michael Kelly and Doctor Carter. John Field, who lived in the early Romantic Era has been credited with the creation of the Nocturne form, later developed by Frédéric Chopin. Michael W. Balfe composer of 38 operas for the houses of London, Paris, Milan and Vienna; William Vincent Wallace composer of six operas and Charles Villiers Stanford achieved popularity in Europe and the UK during the 19th and early-20th centuries, but success for Irish composers has come primarily from outside the Irish state.
Michele Esposito, a figure of seminal importance in the history of Irish music of the late nineteenth and early twentieth centuries, arrived in Ireland in 1882. He became chief pianoforte professor at the Royal Irish Academy of Music and remained in Ireland for forty-six years, teaching two generations of musicians and composing notable works. A notable contributor to Irish music since the 1930s was Cork professor of music Aloys Fleischmann. Today, the best-known living Irish composer is Gerald Barry whose operatic works have been particularly successful in the UK and Europe.
Read more about this topic: Music Of Ireland
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