MSU MFA Program In Science & Natural History Filmmaking
Montana State University’s Master of Fine Arts Program in Science & Natural History Filmmaking (SNHF), founded in 2000, continues to be the only MFA program of its kind in the world. Its mission is to take students with backgrounds in science, engineering, and technology and prepare them as filmmakers with the creative and critical skills necessary to produce work that contributes to the public understanding of science. Students in the program come from a wide variety of backgrounds including the physical sciences, the social sciences, engineering, technology, medicine, and law.
The SNHF Program is part of Montana State University’s School of Film and Photography, which also offers undergraduate degrees in filmmaking and photography.
The program trains directors and producers who are familiar with all parts of the movie-making process. Students in the SNHF Program produce works that range from documentary to experimental. Many of these student films have received festival awards, while others have been broadcast in many major venues such as PBS, The Discovery Channel, National Geographic Channel, The Science Channel, CNN, 60 Minutes II, CBS Evening News, and NBC Nightly News. The students have produced films for the National Park Service, the National Science Foundation, the U.S. Department of Agriculture, National Oceanic and Atmospheric Administration, NASA, and such non-profit organizations including the Wildlife Conservation Society, the Sierra Club, the Audubon Society, and the Nature Conservancy. Student work from the SNHF Program has appeared in major museums, schools, and cultural venues.
Each year, SNHF student films are screened at the Element Film Festival in Bozeman, Montana.
Read more about MSU MFA Program In Science & Natural History Filmmaking: Selected Awards and Festival Screenings
Famous quotes containing the words program, science, natural, history and/or filmmaking:
“It is said the city was spared a golden-oak period because its residents, lacking money to buy the popular atrocities of the nineties, necessarily clung to their rosewood and mahogany.”
—Administration in the State of Sout, U.S. public relief program (1935-1943)
“What happened at Hiroshima was not only that a scientific breakthrough ... had occurred and that a great part of the population of a city had been burned to death, but that the problem of the relation of the triumphs of modern science to the human purposes of man had been explicitly defined.”
—Archibald MacLeish (1892–1982)
“An attitude of philosophic doubt, of suspended judgment, is repugnant to the natural man. Belief is an independent joy to him.”
—William Minto (1845–1893)
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“As far as the filmmaking process is concerned, stars are essentially worthless—and absolutely essential.”
—William Goldman (b. 1931)