MSU MFA Program In Science & Natural History Filmmaking
Montana State University’s Master of Fine Arts Program in Science & Natural History Filmmaking (SNHF), founded in 2000, continues to be the only MFA program of its kind in the world. Its mission is to take students with backgrounds in science, engineering, and technology and prepare them as filmmakers with the creative and critical skills necessary to produce work that contributes to the public understanding of science. Students in the program come from a wide variety of backgrounds including the physical sciences, the social sciences, engineering, technology, medicine, and law.
The SNHF Program is part of Montana State University’s School of Film and Photography, which also offers undergraduate degrees in filmmaking and photography.
The program trains directors and producers who are familiar with all parts of the movie-making process. Students in the SNHF Program produce works that range from documentary to experimental. Many of these student films have received festival awards, while others have been broadcast in many major venues such as PBS, The Discovery Channel, National Geographic Channel, The Science Channel, CNN, 60 Minutes II, CBS Evening News, and NBC Nightly News. The students have produced films for the National Park Service, the National Science Foundation, the U.S. Department of Agriculture, National Oceanic and Atmospheric Administration, NASA, and such non-profit organizations including the Wildlife Conservation Society, the Sierra Club, the Audubon Society, and the Nature Conservancy. Student work from the SNHF Program has appeared in major museums, schools, and cultural venues.
Each year, SNHF student films are screened at the Element Film Festival in Bozeman, Montana.
Read more about MSU MFA Program In Science & Natural History Filmmaking: Selected Awards and Festival Screenings
Famous quotes containing the words program, science, natural, history and/or filmmaking:
“If the worker and his boss enjoy the same television program and visit the same resort places, if the typist is as attractively made up as the daughter of her employer, if the Negro owns a Cadillac, if they all read the same newspaper, then this assimilation indicates not the disappearance of classes, but the extent to which the needs and satisfactions that serve the preservation of the Establishment are shared by the underlying population.”
—Herbert Marcuse (18981979)
“He has been described as an innkeeper who hated his guests, a philosopher, and poet who left no written record of his thought, a despiser of women who gave all he had to one, an aristocrat, a proletarian, a pagan, an arcadian, an atheist, a lover of beauty, and, inadvertently, the stepfather of domestic science in America.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“There are several natural phenomena which I shall have to have explained to me before I can keep on going as a resident member of the human race. One is the metamorphosis which hats and suits undergo exactly one week after their purchase, whereby they are changed from smart, intensely becoming articles of apparel into something children use when they want to dress up like daddy.”
—Robert Benchley (18891945)
“What has history to do with me? Mine is the first and only world! I want to report how I find the world. What others have told me about the world is a very small and incidental part of my experience. I have to judge the world, to measure things.”
—Ludwig Wittgenstein (18891951)
“As far as the filmmaking process is concerned, stars are essentially worthlessand absolutely essential.”
—William Goldman (b. 1931)