MSU MFA Program In Science & Natural History Filmmaking
Montana State University’s Master of Fine Arts Program in Science & Natural History Filmmaking (SNHF), founded in 2000, continues to be the only MFA program of its kind in the world. Its mission is to take students with backgrounds in science, engineering, and technology and prepare them as filmmakers with the creative and critical skills necessary to produce work that contributes to the public understanding of science. Students in the program come from a wide variety of backgrounds including the physical sciences, the social sciences, engineering, technology, medicine, and law.
The SNHF Program is part of Montana State University’s School of Film and Photography, which also offers undergraduate degrees in filmmaking and photography.
The program trains directors and producers who are familiar with all parts of the movie-making process. Students in the SNHF Program produce works that range from documentary to experimental. Many of these student films have received festival awards, while others have been broadcast in many major venues such as PBS, The Discovery Channel, National Geographic Channel, The Science Channel, CNN, 60 Minutes II, CBS Evening News, and NBC Nightly News. The students have produced films for the National Park Service, the National Science Foundation, the U.S. Department of Agriculture, National Oceanic and Atmospheric Administration, NASA, and such non-profit organizations including the Wildlife Conservation Society, the Sierra Club, the Audubon Society, and the Nature Conservancy. Student work from the SNHF Program has appeared in major museums, schools, and cultural venues.
Each year, SNHF student films are screened at the Element Film Festival in Bozeman, Montana.
Read more about MSU MFA Program In Science & Natural History Filmmaking: Selected Awards and Festival Screenings
Famous quotes containing the words program, science, natural, history and/or filmmaking:
“Lead bullets flattened by human teeth have been found on the camp site. Soldiers who had been caught stealing food from nearby farms customarily chewed on a bullet as the lash was laid on their bare backs.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“Imagination could hardly do without metaphor, for imagination is, literally, the moving around in one’s mind of images, and such images tend commonly to be metaphoric. Creative minds, as we know, are rich in images and metaphors, and this is true in science and art alike. The difference between scientist and artist has little to do with the ways of the creative imagination; everything to do with the manner of demonstration and verification of what has been seen or imagined.”
—Robert A. Nisbet (b. 1913)
“The enemy is like a woman, weak in face of opposition, but correspondingly strong when not opposed. In a quarrel with a man, it is natural for a woman to lose heart and run away when he faces up to her; on the other hand, if the man begins to be afraid and to give ground, her rage, vindictiveness and fury overflow and know no limit.”
—St. Ignatius Of Loyola (1491–1556)
“The custard is setting; meanwhile
I not only have my own history to worry about
But am forced to fret over insufficient details related to large
Unfinished concepts that can never bring themselves to the point
Of being, with or without my help, if any were forthcoming.”
—John Ashbery (b. 1927)
“As far as the filmmaking process is concerned, stars are essentially worthless—and absolutely essential.”
—William Goldman (b. 1931)