MSU MFA Program in Science & Natural History Filmmaking

MSU MFA Program In Science & Natural History Filmmaking

Montana State University’s Master of Fine Arts Program in Science & Natural History Filmmaking (SNHF), founded in 2000, continues to be the only MFA program of its kind in the world. Its mission is to take students with backgrounds in science, engineering, and technology and prepare them as filmmakers with the creative and critical skills necessary to produce work that contributes to the public understanding of science. Students in the program come from a wide variety of backgrounds including the physical sciences, the social sciences, engineering, technology, medicine, and law.

The SNHF Program is part of Montana State University’s School of Film and Photography, which also offers undergraduate degrees in filmmaking and photography.

The program trains directors and producers who are familiar with all parts of the movie-making process. Students in the SNHF Program produce works that range from documentary to experimental. Many of these student films have received festival awards, while others have been broadcast in many major venues such as PBS, The Discovery Channel, National Geographic Channel, The Science Channel, CNN, 60 Minutes II, CBS Evening News, and NBC Nightly News. The students have produced films for the National Park Service, the National Science Foundation, the U.S. Department of Agriculture, National Oceanic and Atmospheric Administration, NASA, and such non-profit organizations including the Wildlife Conservation Society, the Sierra Club, the Audubon Society, and the Nature Conservancy. Student work from the SNHF Program has appeared in major museums, schools, and cultural venues.

Each year, SNHF student films are screened at the Element Film Festival in Bozeman, Montana.

Read more about MSU MFA Program In Science & Natural History Filmmaking:  Selected Awards and Festival Screenings

Famous quotes containing the words program, science, natural, history and/or filmmaking:

    Indigenous to Minnesota, and almost completely ignored by its people, are the stark, unornamented, functional clusters of concrete—Minnesota’s grain elevators. These may be said to express unconsciously all the principles of modernism, being built for use only, with little regard for the tenets of esthetic design.
    —Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)

    Science without religion is lame, religion without science is blind.
    Albert Einstein (1879–1955)

    Show me one thing here on earth which has begun well and not ended badly. The proudest palpitations are engulfed in a sewer, where they cease throbbing, as though having reached their natural term: this downfall constitutes the heart’s drama and the negative meaning of history.
    E.M. Cioran (b. 1911)

    At present cats have more purchasing power and influence than the poor of this planet. Accidents of geography and colonial history should no longer determine who gets the fish.
    Derek Wall (b. 1965)

    As far as the filmmaking process is concerned, stars are essentially worthless—and absolutely essential.
    William Goldman (b. 1931)