Mitsuko Horie - Theme Songs

Theme Songs

  • "Susume! Gorenger" with Isao Sasaki (for Himitsu Sentai Gorenger 1975-77)
  • "Magne Robo Gakeen" with Ichirou Mizuki (for Magne Robo Gakeen 1976-77)
  • "Voltes V no Uta" (for Voltes V 1976-77)
  • "Tatakae! Ninja Captor!" with Ichirou Mizuki (for Ninja Captor 1976-1977)
  • "Daltanius no Uta" (for Daltanius 1979-80)
  • "Cross Fight!" with Ichirou Mizuki (for Dangaioh 1987-89)
  • "Shine On ~Eien no Yume~" (for Saint Seiya 1990)
  • "Chō Ninja Tai Inazuma!! SPARK" (for Chō Ninja Tai Inazuma!! SPARK 2007)
  • "Egao no Loop" (for Jewelpet 2009)
  • "Golden Queen Galaxia" (for Sailor Moon 1996)

A few of the numerous other anime series for which Horie has performed the theme song include:

  • Judo Boy (1969) (Her very first anime theme song; performed when she was only 12 years old)
  • Sazae-san (1969) (Horie's song was used as the opening theme in 1975)
  • Hakushon Daimaou (1969; also known as Yam yam y el genio)
  • Mahō no Mako-chan (1970)
  • Genshin Shonen Ryu (1971)
  • Yamanezumi Rocky Chuck (1973)
  • Kerokko Demetan (1973; also known as The Brave Frog)
  • Tentomushi no Uta (1974)
  • Wanpaku Omukashi Kum Kum (1975)
  • La Seine no Hoshi (1975)
  • Arabian Nights: Sindbad no Boken (1975)
  • Candy Candy (1976)
  • Chojin Sentai Baratack (ending theme) (1977)
  • Attack on Tomorrow (1977)
  • Yakukyou no Uta (1977, lyrics by baseball freaks)
  • Majokko Tickle (1978)
  • Hana no Ko Lunlun (1979)
  • Mahou Shoujo Lalabelle (1980)
  • Hello! Sandybell (1981)
  • Meiken Jolie (also known as Belle and Sebastian) (1981)
  • Ai shite Knight(1983)
  • Himitsu no Akko chan (1st remake)(1988)
  • Daddy long legs (1990)

Read more about this topic:  Mitsuko Horie

Famous quotes containing the words theme and/or songs:

    “Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
    —C. John Sommerville (20th century)

    “Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
    —Ewan MacColl (1915–1989)