Finding Key Signatures
Major and minor keys that share the same signature are relative to each other; so C major is the relative major of A minor, and C minor is the relative minor of E♭ major. The relative major is a minor third above the tonic of the minor. For example, since the key signature of G major has one sharp (see major scales for how to find this), its relative minor, E minor, also has one sharp in its key signature.
Music may be written in an enharmonic scale (e.g. C♯ minor, which only has four sharps in its key signature, compared to the theoretical eight flats required for D♭ minor). The following are enharmonic equivalents:
Key sig. | Major scale | Minor scale | ||
---|---|---|---|---|
5♯/7♭ | B/C♭ major | g♯/a♭ minor | ||
6♯/6♭ | F♯/G♭ major | d♯/e♭ minor | ||
7♯/5♭ | C♯/D♭ major | a♯/b♭ minor |
Double sharps/double flats can be written as accidentals, but not as part of a key signature. For example:
D♭ minor key signature: E♭ + A♭ + D♭ + G♭ + C♭ + F♭ + B (the B is now double flatted and therefore, notated after the single accidentals, which obviously do not include the B♭)
D♭ natural minor = D♭ E♭ F♭ G♭ A♭ B C♭ D♭
D♭ melodic minor (ascending and descending) = D♭ E♭ F♭ G♭ A♭ B♭ C D♭ C♭ B A♭ G♭ F♭ E♭ D♭
D♭ harmonic minor = D♭ E♭ F♭ G♭ A♭ B C D♭
Read more about this topic: Minor Scale
Famous quotes containing the words finding, key and/or signatures:
“What Romantic terminology called genius or talent or inspiration is nothing other than finding the right road empirically, following ones nose, taking shortcuts.”
—Italo Calvino (19231985)
“All meanings, we know, depend on the key of interpretation.”
—George Eliot [Mary Ann (or Marian)
“So many signatures for such a small heart.”
—Mother Teresa (b. 1910)