Writing
Lewis described his experiences at Salomon and the evolution of the mortgage-backed bond in Liar's Poker (1989). In The New New Thing (1999), he investigated the then-booming Silicon Valley and discussed obsession with innovation. Four years later, Lewis wrote Moneyball, in which he investigated the success of Billy Beane and the Oakland A's. In August 2007, he wrote an article about catastrophe bonds entitled "In Nature's Casino" that appeared in The New York Times Magazine.
Lewis has worked for The Spectator, The New York Times Magazine, as a columnist for Bloomberg, as a senior editor and campaign correspondent to The New Republic, and a visiting fellow at the University of California, Berkeley. He wrote the Dad Again column for Slate. Lewis worked for Conde Nast Portfolio but in February 2009 left to join Vanity Fair, where he became a contributing editor.
In an interview at the 2010 National Book Awards, Tom Wolfe called Lewis one of two "writers to watch" (the other was Mark Bowden).
In September 2011, after the successful release of the film adaptation of his book Moneyball, it was reported that Lewis planned to take on "a much more active role in the what could be the next film based on one of his books", and would start writing a script for a Liar's Poker film.
Read more about this topic: Michael Lewis
Famous quotes containing the word writing:
“...Often the accurate answer to a usage question begins, “It depends.” And what it depends on most often is where you are, who you are, who your listeners or readers are, and what your purpose in speaking or writing is.”
—Kenneth G. Wilson (b. 1923)
“I think it’s the real world. The people we’re writing about in professional sports, they’re suffering and living and dying and loving and trying to make their way through life just as the brick layers and politicians are.”
—Walter Wellesley (Red)
“What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (1889–1963)