Michael Lewis - Writing

Writing

Lewis described his experiences at Salomon and the evolution of the mortgage-backed bond in Liar's Poker (1989). In The New New Thing (1999), he investigated the then-booming Silicon Valley and discussed obsession with innovation. Four years later, Lewis wrote Moneyball, in which he investigated the success of Billy Beane and the Oakland A's. In August 2007, he wrote an article about catastrophe bonds entitled "In Nature's Casino" that appeared in The New York Times Magazine.

Lewis has worked for The Spectator, The New York Times Magazine, as a columnist for Bloomberg, as a senior editor and campaign correspondent to The New Republic, and a visiting fellow at the University of California, Berkeley. He wrote the Dad Again column for Slate. Lewis worked for Conde Nast Portfolio but in February 2009 left to join Vanity Fair, where he became a contributing editor.

In an interview at the 2010 National Book Awards, Tom Wolfe called Lewis one of two "writers to watch" (the other was Mark Bowden).

In September 2011, after the successful release of the film adaptation of his book Moneyball, it was reported that Lewis planned to take on "a much more active role in the what could be the next film based on one of his books", and would start writing a script for a Liar's Poker film.

Read more about this topic:  Michael Lewis

Famous quotes containing the word writing:

    In our period, they say there is free speech.
    They say there is no penalty for poets,
    There is no penalty for writing poems.
    They say this. This is the penalty.
    Muriel Rukeyser (1913–1980)

    Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.
    Elie Wiesel (b. 1928)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)