Mel Gibson - Theatre Credits

Theatre Credits

  • Le Chateau d'Hydro-Therapie Magnetique by Helmut Bakaitis – Jane Street Theatre, Sydney, 1976 – with Steve Bisley
  • Mother and Son by Louis Esson – NIDA Theatre, Sydney, 1977 – with Steve Bisley and Judy Davis, directed by Aubrey Mellor
  • The Hostage by Brendan Behan – NIDA Theatre, Sydney, 1977 – with Steve Bisley, directed by George Whaley
  • Once in a Lifetime by Kaufman and Hart – NIDA, Sydney, 1977 – with Steve Bisley and Judy Davis, directed by Richard Wherrett
  • A Midsummer Night's Dream by William Shakespeare
  • Oedipus the King by Sophocles – Adelaide Festival of the Arts, 1978 – with Colin Friels
  • Cedoona by Roger Pulvers – Adelaide Festival of the Arts, 1978 – with Colin Friels and Judy Davis directed by Ron Blair
  • The Les Darcy Show by Jack Hibberd – Adelaide, 1978 – with Colin Friels and Judy Davis, directed by Ron Blair
  • Romeo and Juliet by William Shakespeare – Perth & Sydney, 1979 – with Angela Punch-McGregor directed by John Bell
  • Waiting for Godot by Samuel Beckett – with Geoffrey Rush
  • On Our Selection by Bert Bailey and Edmund Duggan – Sydney, 1979 – directed by George Whaley
  • No Names, No Pack Drill by Bob Herbert – Sydney, 1981 – with Noni Hazelhurst
  • Death of a Salesman by Arthur Miller as Biff – Sydney, 1982 – with Warren Mitchell directed by George Ogilvie
  • Love Letters by A. R. Gurney – Telluride, Colorado, 1993 – with Sissy Spacek

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    If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.
    Susan Sontag (b. 1933)