Published Works
- Schloß Nornepygge (Nornepygge Castle, 1908)
- Weiberwirtschaft (Woman's Work, 1913)
- Über die Schönheit häßlicher Bilder (On the Beauty of Ugly Pictures, 1913)
- Die Höhe des Gefühls (The Height of Feeling, 1913)
- Anschauung und Begriff: Grundzüge eines Systems der Begriffsbildung, 1913 (together with Felix Weltsch)-->
- Tycho Brahes Weg zu Gott (Tycho Brahe's Path to God 1915)
- Heidentum, Christentum, Judentum: Ein Bekenntnisbuch (Paganism, Christianity, Judaism: A Credo, 1921)
- Sternenhimmel: Musik- und Theatererlebnisse (1923, reissued as Prager Sternenhimmel)
- Reubeni, Fürst der Juden (Reubeni, Prince of the Jews, 1925)
- Zauberreich der Liebe (The Charmed Realm of Love, 1930)
- Biografie von Heinrich Heine (Biography of Heinrich Heine, 1934) Subtitled The Artist in Revolt it was first published in English in 1956 in a revised version translated by Joseph Witriol
- Die Frau, die nicht enttäuscht (The Woman Who Does Not Disappoint, 1934)
- Novellen aus Böhmen (Novellas from Bohemia, 1936)
- Rassentheorie und Judentum (Race Theory and Judaism, 1936)
- Annerl (Annie, 1937)
- Franz Kafka, eine Biographie (Franz Kafka, a Biography, 1937, later collected in Über Franz Kafka, 1974)
- Franz Kafkas Glauben und Lehre (Franz Kafka's Thought and Teaching, 1948)
- Die Musik Israels (The Music of Israel, Tel Aviv, 1951)
- Beinahe ein Vorzugsschüler, oder pièce touchée: Roman eines unauffälligen Menschen (Almost a Gifted Pupil, 1952)
- Die Frau, nach der man sich sehnt (The Woman For Whom One Longs, 1953)
- Rebellische Herzen (Rebellious Hearts, 1957)
- Verzweiflung und Erlösung im Werke Franz Kafkas (Despair and Redemption in the Works of Franz Kafka, 1959)
- Beispiel einer deutsch-jüdischen Symbiose (An Example of German-Jewish Symbiosis, 1961)
- Die verkaufte Braut, translation of the Czech libretto of Prodaná nevěsta (The Bartered Bride, a comic opera by Bedřich Smetana), and numerous other translations of Czech opera libretti
- Über Franz Kafka, (Fischer, Frankfurt am Main, 1974)
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Famous quotes related to published works:
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)