Character
Throughout the novels, he goes from being an unhappily married man and father to two young teenagers, to a divorced man in an unmarried relationship. Beck is prone to colds and often is suffering from ailments and physical discomforts. Beck also gets several promotions, seemingly much to the chagrin of everyone involved, including himself.
In the novels he is a tall man who smokes. In The Abominable Man he is shot and severely wounded.
All ten novels have been adapted to film, although some appeared with different titles and four have been filmed outside Sweden. The first actor to play Martin Beck was Keve Hjelm in 1967. Carl-Gustaf Lindstedt portrayed Beck in 1976. In 1993 and 1994, Gösta Ekman played the character in six films. To the American audiences, the most notable actor to play Martin Beck is Walter Matthau from the 1973 film called The Laughing Policeman, though his character was called "Jake Martin". Martin Beck has also been played by Jan Decleir, Derek Jacobi and Romualds Ancāns. Two of the novels has been adapted for films twice, Roseanna and Murder at the Savoy. In the later films that is only based on the characters, Martin Beck is played by Peter Haber.
Read more about this topic: Martin Beck
Famous quotes containing the word character:
“There is no character, howsoever good and fine, but it can be destroyed by ridicule, howsoever poor and witless. Observe the ass, for instance: his character is about perfect, he is the choicest spirit among all the humbler animals, yet see what ridicule has brought him to. Instead of feeling complimented when we are called an ass, we are left in doubt.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“People who wish to salute the free and independent side of their evolutionary character acquire cats. People who wish to pay homage to their servile and salivating roots own dogs.”
—Anna Quindlen (b. 1952)
“When much intercourse with a friend has supplied us with a standard of excellence, and has increased our respect for the resources of God who thus sends a real person to outgo our ideal; when he has, moreover, become an object of thought, and, whilst his character retains all its unconscious effect, is converted in the mind into solid and sweet wisdom,—it is a sign to us that his office is closing, and he is commonly withdrawn from our sight in a short time.”
—Ralph Waldo Emerson (1803–1882)