Work
Marsilio Ficino's main original work was his treatise on the immortality of the soul (Theologia Platonica de immortalitate animae). In the rush of enthusiasm for every rediscovery from Antiquity, Marsilio exhibited a great interest in the arts of astrology, which landed him in trouble with the Roman Catholic Church. In 1489 he was accused of magic before Pope Innocent VIII and needed strong defense to preserve him from the condemnation of heresy.
Writing in 1492 Ficino proclaimed: "This century, like a golden age, has restored to light the liberal arts, which were almost extinct: grammar, poetry, rhetoric, painting, sculpture, architecture, music ... this century appears to have perfected astrology."
His letters, extending over the years 1474–1494, survive and have been published. He also wrote De amore (1484) and the influential De vita libri tres (Three books on life.) De vita, published in 1489, provides a great deal of curious contemporary medical and astrological advice for maintaining health and vigor, as well as espousing the Neoplatonist view of the world's ensoulment and its integration with the human soul. "There will be some men or other, superstitious and blind, who see life plain in even the lowest animals and the meanest plants, but do not see life in the heavens or the world ... Now if those little men grant life to the smallest particles of the world, what folly! what envy! neither to know that the Whole, in which 'we live and move and have our being,' is itself alive, nor to wish this to be so." One metaphor for this integrated "aliveness" is Ficino's astrology.
In the Book of Life, Marsilio details the interlinks between behavior and consequence. It talks about a list of things that hold sway over a man's destiny.
Ficino introduced the term and concept of "platonic love" in the West. It first appeared in a letter to Alamanno Donati in 1476, but was later fully developed all along his work, mainly his famous De amore. He also practiced this love metaphysic with Giovanni Cavalcanti, whom he made the principal character in his commentary on the Convivio, and to whom he wrote ardent love letters in Latin that were published in his Epistulae in 1492; there are also numerous other indications to suggest that Ficino's erotic impulses were directed exclusively towards men. After his death his biographers had a difficult task trying to refute those who spoke of his homosexual tendencies. But his sincere and deep faith, and membership of the clergy, put him beyond the reach of gossip, and while praising love for the same sex, he also condemned sodomy in the Convivium.
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Famous quotes containing the word work:
“I do not want to be covetous, but I think I speak the minds of many a wife and mother when I say I would willingly work as hard as possible all day and all night, if I might be sure of a small profit, but have worked hard for twenty-five years and have never known what it was to receive a financial compensation and to have what was really my own.”
—Emma Watrous, U.S. inventor. As quoted in Feminine Ingenuity, ch. 8, by Anne L. MacDonald (1992)
“The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.”
—Walter Lippmann (1889–1974)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)