Work
In the Pat Metheny Group, Mays provides arrangements, orchestration and the harmonic and metric backbone of the group's musical signature. He occasionally performs on electric guitar as well. On the song Forward March, from the Pat Metheny Group album First Circle (1984), and in the concert tour for that album, he played trumpet.
His albums as a leader reflect a large variety of musical interests: Lyle Mays and Street Dreams build on the content of the Pat Metheny Group, while Fictionary is a straight-ahead jazz trio session featuring fellow North Texan Marc Johnson on bass and Jack DeJohnette on drums. Solo: Improvisations for Expanded Piano is focused on solo piano improvisations.
He has also composed and recorded music for children's records, such as Tale of Peter Rabbit, with text read by Meryl Streep.
The Steppenwolf Theater Company of Chicago featured an assortment of compositions by Lyle Mays and Pat Metheny for their production of Lyle Kessler's play Orphans.
He has composed classical music such as "Twelve Days in the Shadow of a Miracle", a piece for harp, flute, viola and synthesizer (recorded 1996 by the Debussy Trio).
Read more about this topic: Lyle Mays
Famous quotes containing the word work:
“If work is part of your identity, think very carefully before you give it up. Giving it up won’t make you a better mother; it will make you less of the person you are; and that will make you less of a mother.”
—Jean Marzollo (20th century)
“Freedom of enterprise was from the beginning not altogether a blessing. As the liberty to work or to starve, it spelled toil, insecurity, and fear for the vast majority of the population. If the individual were no longer compelled to prove himself on the market, as a free economic subject, the disappearance of this freedom would be one of the greatest achievements of civilization.”
—Herbert Marcuse (1898–1979)
“There is only one art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.”
—Václav Havel (b. 1936)