Louis XIV of France - Patronage of The Arts

Patronage of The Arts

The Sun King generously supported the royal court and those who worked under him. He brought the Académie Française under his patronage, and became its "Protector". He allowed Classical French literature to flourish by protecting such writers as Molière, Racine and La Fontaine, whose works remain greatly influential to this day. Louis also patronised the visual arts by funding and commissioning various artists, such as Charles Le Brun, Pierre Mignard, Antoine Coysevox and Hyacinthe Rigaud whose works became famous throughout Europe. In music, composers and musicians such as Lully, Chambonnières and François Couperin thrived.

Over the course of four building campaigns, Louis converted a hunting lodge built by Louis XIII into the spectacular Palace of Versailles. With the exception of the current Royal Chapel (built near the end of Louis's reign), the palace achieved much of its current appearance after the third building campaign, which was followed by an official move of the royal court to Versailles on 6 May 1682.

Royal styles of
King Louis XIV
Reference style His Most Christian Majesty
Spoken style Your Most Christian Majesty
Alternative style Monsieur Le Roi

Versailles became a dazzling, awe-inspiring setting for state affairs and the reception of foreign dignitaries. At Versailles, the king alone commanded attention. Several reasons have been suggested for the creation of the extravagant and stately palace, as well as the relocation of the monarchy's seat. For example, Saint-Simon speculated that Louis viewed Versailles as an isolated power center where treasonous cabals could be more readily discovered and foiled. Alternatively, the Fronde allegedly caused Louis to hate Paris, which he abandoned for a country retreat. However, his many improvements, embellishments and developments of Paris, such as the establishment of a police and street-lighting, lend little credence to this theory. As further examples of his continued care for the capital, Louis constructed the Hôtel des Invalides—a military complex and home to this day for officers and soldiers rendered infirm either by injury or age. While pharmacology was still quite rudimentary in his day, les Invalides pioneered new treatments and set new standards for hospice treatment. The conclusion of the Treaty of Aix-la-Chapelle in 1668 also induced Louis to demolish the northern walls of Paris in 1670 and replace them with wide tree-lined boulevards.

Louis also renovated and improved the Louvre and many other royal residences. Bernini was originally to plan additions to the Louvre. However, his plans would have meant the destruction of much of the existing structure, replacing it with an Italian summer villa in the centre of Paris. Bernini's plans were eventually shelved in favour of Perrault's elegant colonnade. With the relocation of the court to Versailles, the Louvre was given over to the arts and the public. During his visit from Rome, Bernini also executed a portrait bust of the king.

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