Lo Sposo Deluso - Roles

Roles

Note that the opera was unfinished and never premiered as such. The singers' names given in the table below are those for whom Mozart wrote the roles and who were to have sung in its premiere.

Role Voice type Premiere cast
(Conductor: – )
Bocconio Papparelli, a rich but stupid man, betrothed to Eugenia bass Francesco Benucci
Eugenia, a young Roman noblewoman, betrothed to Papparelli but in love with Don Asdrubale soprano Nancy Storace
Don Asdrubale, a Tuscan army officer tenor Stefano Mandini
Bettina, Papparelli's vain young niece, also in love with Don Asdrubale soprano Katherina Cavalieri
Pulcherio, the misogynist friend of Papparelli tenor Francesco Bussani
Gervasio, Eugenia's tutor, in love with Metilde bass Signore Pugnetti
Metilde, a virtuoso singer and dancer and friend of Bettina, also in love with Don Asdrubale soprano Theresia Teyber

The setting is a seaside villa near Livorno.

The cast is nearly identical to that of the first Le nozze di Figaro. Benucci was the first Figaro. Storace the first Susanna. Mandini the first Count Almaviva, and Bussani the first Bartolo. Both Mandini and Bussani started as tenors but by this time they were a baritone and a bass respectively.

Read more about this topic:  Lo Sposo Deluso

Famous quotes containing the word roles:

    Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.
    Sara Lawrence Lightfoot (20th century)

    Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.
    Sylvia Ann Hewitt (20th century)