List Of Italian American Actors
To be included in this list, the person must have a Wikipedia article showing they are Italian American actors or must have references showing they are Italian American actors and are notable. As discussed in the 2005 book Hollywood Italians by Peter E. Bondanella, as well as numerous other sources, Italian-American actors have made a significant impact. The Guild of Italian American Actors was founded in 1937.
The list is organized chronologically, listing Italian American actors by birth date periods.
Read more about List Of Italian American Actors: 1990s, 1980s, 1970s, 1960s, 1950s, 1940s, 1930s, 1920s, 1910s, 1900s, 1890s, 1880s, Non-Italian American Actors, Voice Actors, The Godfather Actors, The Sopranos Actors
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“Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair.”
—F. Scott Fitzgerald (1896–1940)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“If the study of his images
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A waking, as in images we awake,
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Participants of its being.”
—Wallace Stevens (1879–1955)
“The quality of American life is an insult to the possibilities of human growth ... the pollution of American space, with gadgetry and cars and TV and box architecture, brutalizes the senses, making gray neurotics of most of us, and perverse spiritual athletes and strident self-transcenders of the best of us.”
—Susan Sontag (b. 1933)
“The motives to actions and the inward turns of mind seem in our opinion more necessary to be known than the actions themselves; and much rather would we choose that our reader should clearly understand what our principal actors think than what they do.”
—Sarah Fielding (1710–1768)