History
Rock music has been produced in Latin America since the late 1950s. Some Rock bands started to use unusual instruments such as maracas and quenas. In the late 1960s, artists like Santana started using a different technique to make Rock music; by incorporating influences of Latin Jazz. Its sound was incorporated by young Latino-players on the US, as an answer to the Rock en Español movement in Latin America, led by bands like Soda Stereo, Caifanes or Los Prisioneros.
In the early 1990s, it was used by Mexican bands such as Maldita Vecindad and Café Tacuba. They were accepted on the Latino circuit in the US, especially by the Mexican community, as any Rock en Español band had made ever. Latin Alternative was born.
With the passage of time and many musical styles in the US-Latino, Latin Alternative has become as diverse as the Rock music genre itself. Today, many music journalists and fans regard Latin Alternative as a subgenre of Rock en Español, and like Rock en Español, it may be further divided into more specific genres of music.
Read more about this topic: Latin Alternative
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“History, as an entirety, could only exist in the eyes of an observer outside it and outside the world. History only exists, in the final analysis, for God.”
—Albert Camus (1913–1960)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)
“History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning of things, which natural history might with reason assume to do; but consider the Universal History, and then tell us,—when did burdock and plantain sprout first?”
—Henry David Thoreau (1817–1862)