Kurgan Stelae - Appearance

Appearance

Scythian balbals commonly depict a warrior holding a drinking horn in their upraised right hand. Many also show a sword or dagger suspended on the warrior's belt.

Writing about Altai kurgans, L.N. Gumilev states: "To the east from the tombs are standing chains of balbals, crudely sculpted stones implanted in the ground. Number of balbals at the tombs I investigated varies from 0 to 51, but most often there are 3–4 balbals per tomb". Similar numbers are also given by L. R. Kyzlasov. They are memorials to the feats of the deceased, every balbal represents an enemy killed by him. Many tombs have no balbals. Apparently, there are buried ashes of women and children.

Balbals have two clearly distinct forms: conic and flat, with shaved top. Considering the evidence of Orkhon inscriptions that every balbal represented a certain person, such distinction cannot be by chance. Likely here is marked an important ethnographic attribute, a headdress. The steppe-dwellers up until present wear a conic 'malahai', and the Altaians wear flat round hats. The same forms of headdresses are recorded for the 8th century. Another observation of Lev Gumilev: "From the Tsaidam salt lakes to the Kül-tegin monument leads a three-kilometer chain of balbals. To our time survived 169 balbals, apparently there were more. Some balbals are given a crude likeness with men, indicated are hands, a hint of a belt. Along the moat toward the east runs a second chain of balbals, which gave I. Lisi a cause to suggest that they circled the fence wall of the monument. However, it is likely that it is another chain belonging to another deceased buried earlier".

Some kurgan obelisks are found still standing on kurgans, others were found buried in the slopes. Not always can be stated if they were contemporary with the kurgans on which they stand, existed earlier, or were carved later and lifted onto the kurgan. Kurgan obelisks are of sandstone, limestone, granite, etc. Their height is from 3.5 m to 0.7 m, but more often 1.5 – 2 m. Some of them are simple stone columns, with a rough image of a human face, on others the head (with the narrowed neck) is clearly depicted; in most cases not only the head is depicted, but also body, arms, and frequently both legs, and headdress, and dress. On more crude statues is impossible to dissern sex, but mostly it is expressed clearly: men are with moustaches (sometimes with beard, one bearded kurgan obelisk is in the courtyard of the Historical Museum in Moscow), in a costume with metal breastplates and belts, sometimes with a sword, etc.; women are with bared breasts, wearing peculiar headdresses, with girdles or necklaces on the neck, etc.

Other obelisks show figures completely naked and usually only their head is covered, and legs are shod. Kurgan statues are sitting (frequently females), and standing (mostly males); in both cases the legs are not depicted. If the legs are depicted, they are either barefoot, or more often shoed, in high or low boots ('bashmaks'), sometimes with distinguishable trousers with ornaments. Many female kurgan obelisks (and some male) are naked above the belt, but below a belt and dress are visible, sometimes two dresses, one longer underneath, and another on the top, as a semi-'kaftan' or a short furcoat, with appliques and inserts (the ornaments of inserts consist of geometrical lines, double spirals, etc., or even cuirass). Others have stripes on the shoulders, many have two stripes (seldom three, or one wide across), plates (apparently, metal) on the breast attached to a belt or, more often, to two belts. On the belt sometimes is possible to distinguish a buckle in the middle or thongs hanging from it with sometimes attached bag, a round metal pocket mirror, knife, comb, sometimes also is shown (male statues) a dagger or a straight sword, a bow, a ‘kolchan’ (quiver), a hook, an axe. On the neck the men wear a metal band, women wear a necklace of beads or scales, sometimes even 2 or 3 are visible, some have a wide tape or a belt dropping from the necklace, ending with a 4-corner cloth. On the hands, wrists and shoulders (especially for nude figures) are bracelets (rings) and cuffs, in the ears, for women and men, are earrings, on the head (forehead) sometimes is an ornametal bandage or a diadem. The female braids can not always be distinguished from ribbons or bandages, they also are depicted for men. In some cases the male hat undoubtedly represents a small helmet (‘misyurka’), sometimes with crossing metal strips. The female headdress is more diverse, like a hat with curved brims, ‘bashlyk’, Kyrgyz (Kazakh) hat, etc.

The type of the face is not always depicted clearly. The vast majority of women join hands on the navel or at the bottom of the stomach, and hold a vessel, frequently cylindrical, like a cup or a glass. Sometimes it is so blurred that it can be taken for a folded scarf. One male figurine holds a bowl in the left hand, and a sword in the right; and another has hands simply joined together, without a bowl, one female figurine holds a ring, some hold a rhyton (drinking horn).