Background
Mary's Room is a thought experiment that attempts to establish that there are non-physical properties and attainable knowledge that can be discovered only through conscious experience. It attempts to refute the theory that all knowledge is physical knowledge. C. D. Broad, Herbert Feigl, and Thomas Nagel, over a fifty-year span, presented insight to the subject, which led to Jackson's proposed thought experiment. Broad makes the following remarks:
He would know exactly what the microscopic structure of ammonia must be; but he would be totally unable to predict that a substance with this structure must smell as ammonia does when it gets into the human nose. The utmost that he could predict on this subject would be that certain changes would take place in the mucous membrane, the olfactory nerves and so on. But he could not possibly know that these changes would be accompanied by the appearance of a smell in general or of the peculiar smell of ammonia in particular, unless someone told him so or he had smelled it for himself.
Roughly thirty years later, Feigl expresses a similar notion. He concerns himself with a Martian, studying human behavior, but lacking human sentiments. Feigl says:
...the Martian would be lacking completely in the sort of imagery and empathy which depends on familiarity (direct acquaintance) with the kinds of qualia to be imaged or empathized.
Nagel takes a slightly different approach. In an effort to make his argument more adaptable and relatable, he takes the stand of humans attempting to understand the sonar capabilities of bats. Even with the entire physical database at one's fingertips, humans would not be able to fully perceive or understand a bat's sonar system, namely what it's like to perceive something with a bat's sonar.
Read more about this topic: Knowledge Argument
Famous quotes containing the word background:
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)
“In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
—Emma Goldman (1869–1940)