King Kong - Television

Television

  • The King Kong Show (1966). In this cartoon series, the giant gorilla befriends the Bond family, with whom he goes on various adventures, fighting monsters, robots, mad scientists and other threats. Produced by Rankin/Bass, the animation was provided in Japan by Toei Animation, making this the very first anime series to be commissioned right out of Japan by an American company. This was also the cartoon that resulted in the production of Toho's Godzilla vs. the Sea Monster (originally planned as a Kong film) and King Kong Escapes.
  • Kong: The Animated Series (2001). An animated production set many decades after the events of the original film. "Kong" is cloned by a female scientist. This show, coming a few years after the release of Centropolis' Godzilla: the Series repeated at least two of the monsters (although with vastly different backgrounds) seen in the Godzilla series.
    • A direct-to-DVD movie called Kong: King of Atlantis, based on the 2001 series, was released to try and cash in on the 2005 movie. Both the series and the movie were then included in Toon Disney's "Jetix" group for a time, also to take advantage of the 2005 movie's release. A year later, a follow up direct-to-DVD film was released called Kong: Return to the Jungle.
  • The King Kong suit from King Kong Escapes appeared on Ike! Greenman episode 38 called Greenman vs Gorilla. Due to copyright reasons King Kong's name was changed to Gorilla.

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Famous quotes containing the word television:

    Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.
    Susan Sontag (b. 1933)

    In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.
    New Yorker (April 23, 1990)

    The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?
    Joyce Carol Oates (b. 1938)