Dance
There are myriad ways to dance to Kawachi Ondo. The most famous dance is called "mamekachi". The dance proceeds clockwise around the yagura, though a few steps go in the opposite direction, and it is marked by a succession of three claps before the dance sequence begins again. It may be the most standard of Kawachi Ondo dances, but even this dance will vary slightly from region to region.
There is an alternate dance called "teodori," literally, "hand dance." Most of the movement is in the hands. In contrast, the mamekachi involves a lot of foot work. The teodori dance proceeds counter-clockwise around the yagura and the dancers clap twice before beginning the dance sequence anew. Oftentimes to change things up, dancers will switch between the mamekachi and teodori dances halfway through a Kawachi Ondo performance, as performances can last up to 30 minutes or so.
Like the song Kawachi Ondo itself, the dance is ver changing and people are always coming up with new ways to dance to it. Guilds will often take an existing dance and add their own flare to it. For example, taiko troupes that decide to join in a local bon odori will often bring their bachi (drum sticks) and incorporate taiko drumming motions into the dance. Martial arts groups will incorporate chopping and kicking moves, etc. Sometimes groups may even come up with an entirely new dance altogether. Enka singer Mitsuko Nakamura is famous for singing Kawachi Ondo and a derivative of the song called Kawachi Otoko Bushi; she is credited for inventing a new Kawachi Ondo dance, and loyal fans get together and dance the "Nakamura Mitsuko" at bon dances.
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Famous quotes containing the word dance:
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)
“How do you expect to learn to dance when you have not even learned to walk! And above the dancer is still the flyer and his bliss.”
—Friedrich Nietzsche (1844–1900)
“The gentlemen [at a ball], as they passed and repassed, looked as if they thought we were quite at their disposal, and only waiting for the honour of their commands; and they sauntered about, in a careless indolent manner, as if with a view to keep us in suspense.... I thought it so provoking, that I determined in my own mind that, far from humouring such airs, I would rather not dance at all.”
—Frances Burney (1752–1840)