Dance
There are myriad ways to dance to Kawachi Ondo. The most famous dance is called "mamekachi". The dance proceeds clockwise around the yagura, though a few steps go in the opposite direction, and it is marked by a succession of three claps before the dance sequence begins again. It may be the most standard of Kawachi Ondo dances, but even this dance will vary slightly from region to region.
There is an alternate dance called "teodori," literally, "hand dance." Most of the movement is in the hands. In contrast, the mamekachi involves a lot of foot work. The teodori dance proceeds counter-clockwise around the yagura and the dancers clap twice before beginning the dance sequence anew. Oftentimes to change things up, dancers will switch between the mamekachi and teodori dances halfway through a Kawachi Ondo performance, as performances can last up to 30 minutes or so.
Like the song Kawachi Ondo itself, the dance is ver changing and people are always coming up with new ways to dance to it. Guilds will often take an existing dance and add their own flare to it. For example, taiko troupes that decide to join in a local bon odori will often bring their bachi (drum sticks) and incorporate taiko drumming motions into the dance. Martial arts groups will incorporate chopping and kicking moves, etc. Sometimes groups may even come up with an entirely new dance altogether. Enka singer Mitsuko Nakamura is famous for singing Kawachi Ondo and a derivative of the song called Kawachi Otoko Bushi; she is credited for inventing a new Kawachi Ondo dance, and loyal fans get together and dance the "Nakamura Mitsuko" at bon dances.
Read more about this topic: Kawachi Ondo
Famous quotes containing the word dance:
“And because I am happy, & dance & sing,
They think they have done me no injury,
And are gone to praise God & his Priest & King,
Who make up a heaven of our misery.”
—William Blake (17571827)
“The authors conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (18851972)
“Ah, it is sweet on the hills,
to dance in sacred faun-pelt,
to dance until one falls faint,
to beat the sacred dance-beat
until one drops down
worn out.”
—Hilda Doolittle (18861961)