Career
In 1979, after writing multiple short-stories for the magazine Action, Otomo created his first science-fiction work, titled Fireball. Although the manga was never completed, it is regarded as a milestone in Otomo's career as it contained many of the same themes he would explore in his later, more successful manga such as Dōmu. Dōmu began serialization in January 1980 and ran for two years until completed. In 1983, it was published in book form and would win the Nihon SF Taisho Award, the Japanese equivalent to the Nebula Award.
In 1982, Otomo made his anime debut, working as character designer for the animated film Harmagedon. The next year, Otomo began work on a manga which would become his most acclaimed and famous work: Akira. It took eight years to complete and would eventually culminate in 2000 pages of artwork. In 1987, Otomo continued working in anime, directing an animated work for the first time: a segment, which he also wrote the screenplay and drew animation for, in the anthology feature Neo Tokyo. He followed this up with two segments in another anthology, Robot Carnival.
While the serialization of Akira was taking place, Otomo decided to animate it into a feature film, although the comic was yet to be finished. In 1988, the animated film Akira was released.
Otomo has recently worked extensively with noted studio Sunrise. The studio has animated and produced his recent projects, including the 2004 feature film Steamboy, 2006's Freedom Project and his latest project, SOS! Tokyo Metro Explorers: The Next, released in 2007.
Otomo is apparently going to be the executive producer of the live action adaptation of his manga series Akira.
In a 2012 interview, Otomo said he will start a new manga series for Shonen Jump, set during Japan’s Meiji period (late 1800′s early 1900′s). It will be his first long-form work since Akira.
Read more about this topic: Katsuhiro Otomo
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)