Bates' history of Broadway appearances includes Lanford Wilson's Fifth of July and the Robert Altman-directed Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean opposite Karen Black and Cher. She received a Tony Award nomination in 1983 for her stage role in the Pulitzer Prize-winning play 'night, Mother opposite Anne Pitoniak. The production of 'night, Mother ran for more than a year. One of her other successful New York stage productions was, Off Broadway, in Terrence McNally's Frankie and Johnny in the Clair de Lune which ran 533 performances. McNally specifically wrote the play for Bates and F. Murray Abraham, who had to drop out and was replaced by Kenneth Welsh. The play was later filmed as Frankie and Johnny, starring Al Pacino and Michelle Pfeiffer. She succeeded Amy Irving in the off-Broadway production of The Road to Mecca in 1988.
Bates' first feature film was the 1971 Miloš Forman comedy Taking Off (credited as "Bobo Bates"), wherein she sings an original song "Even Horses Had Wings". Bates' next feature was the Dustin Hoffman film Straight Time (1978). In 1990, she would appear again with Hoffman in Warren Beatty's Dick Tracy as a stenographer. She appeared in films such as Summer Heat and The Morning After, while guest-starring in television shows such as L.A. Law, before landing the role of obsessed fan Annie Wilkes, who holds her favorite author (played by James Caan) captive, in the 1990 thriller Misery, based on the Stephen King novel. Bates received her first Academy Award nomination for that role, winning Best Actress. Soon after, she starred with Jessica Tandy in the acclaimed 1991 movie Fried Green Tomatoes, based on the novel by comedic actress Fannie Flagg. In 1977, Bates made her soap opera debut as Phyllis on NBC's soap opera The Doctors. From 1983 to 1984, she played prison inmate Belle Bodelle on All My Children and from 1984 to 1985, she played Evelyn Maddox on One Life to Live.
In 1995, Bates played the title character in Dolores Claiborne, a film adaption of another Stephen King novel, although she was not nominated for an Oscar. In 1997, Bates played Molly Brown in James Cameron's Titanic. Based on the 1912 sinking of the RMS Titanic, the film went on to earn more than US$1.8 billion in box-office receipts worldwide.
Bates also excelled in her role as the acid-tongued "dustbuster" political advisor Libby Holden in the 1998 drama Primary Colors which was adapted from the book in which political journalist Joe Klein novelized his experiences on the Presidential campaign trail in 1991–1992. For this performance, she received her second Academy Award nomination, for Best Supporting Actress. In 2002 she received her third nomination, for About Schmidt. More recently, she and Terry Bradshaw played the parents of Matthew McConaughey's character in the 2006 film Failure to Launch. Bates was featured in an uncredited cameo in the miniseries of Stephen King's The Stand.
Bates has been nominated for an Emmy Award eight times: Outstanding actor in a Miniseries or a Movie, for her performance as Jay Leno's manager Helen Kushnick in HBO's The Late Shift (1996), and, twice again in the same category; as Miss Hannigan in Disney's remake of Annie (1999), and for the HBO Franklin Roosevelt biopic Warm Springs (2005). She was nominated for Outstanding Lead Actress in a Miniseries or Movie for Lifetime Television's Ambulance Girl (2006), which she also directed and received a Supporting Actress nomination for Alice.
She appeared on 10 episodes of the HBO cable television series Six Feet Under for which she received an Emmy Award nomination for Outstanding Guest Actress in a Drama Series, as Bettina, in 2003. She also was nominated for Outstanding Guest Actress in a Comedy Series for 3rd Rock from the Sun in 1999, the same year that she was nominated for Outstanding Directing in a Miniseries or Movie for the Dashiell Hammett-Lillian Hellman biopic Dash & Lilly. She also had a recurring guest role on the American version of The Office as Jo Bennett.
Starting in the 1990s, Bates forged a formidable career as a director. She has directed episodes of Homicide: Life on the Street, NYPD Blue, Oz, Six Feet Under, and Everwood. Bates directed the television movies Dash and Lilly and the self-starring Ambulance Girl. She directed and co-starred in Have Mercy (2006) with Melanie Griffith. In 2008, she re-teamed with Leonardo DiCaprio and Kate Winslet in Revolutionary Road. She starred in David E. Kelley's legal drama Harry's Law, which began airing on NBC on January 17, 2011, but was cancelled on May 14, 2012.
In 2012, Bates made a guest appearance on Two and a Half Men as the ghost of Charlie Harper on the episode, "Why We Gave Up Women", which aired on April 30, 2012. In the episode Charlie has returned as a ghost to haunt his brother, Alan (Jon Cryer). He tells Alan that after a life of womanizing and debauchery, he was sent to hell and condemned to spend eternity in a woman's body. This guest appearance resulted in Bates' winning the Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series. It was Bates' first Emmy win after nine nominations.
Read more about this topic: Kathy Bates
Famous quotes containing the word career:
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“Never hug and kiss your children! Mother love may make your childrens infancy unhappy and prevent them from pursuing a career or getting married! Thats total hogwash, of course. But it shows on extreme example of what state-of-the-art scientific parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)