Career
Upon arriving in New York City she worked as a Playboy Bunny and changed her name to Kathryn Leigh Scott. In 1966, she was cast as Maggie Evans the waitress-turned-governess on the ABC-TV cult serial Dark Shadows. During her tenure at the show, she played Josette du Pres (a lover of Barnabas Collins (Jonathan Frid), who was killed at Widow's Hill in 1795); Rachel Drummond (a governess in 1897); Kitty Soames (aka Lady Hampshire on the second-half of the 1897 storyline); and Maggie Collins (aka Maggie Evans), who married Quentin Collins (David Selby) in "Parallel Time" (1970). She appeared in House of Dark Shadows, a MGM picture based on the Dark Shadows TV series in 1970. That same year in September, she decided to leave the show to move to France with her boyfriend and photographer Ben Martin, whom she later married. A few months later, Dark Shadows ended its five year run in April 1971.
After Dark Shadows she made guest appearances on such TV shows as Police Squad!, Quincy, Magnum, P.I., Cagney and Lacey, Matlock, The Incredible Hulk, The A-Team, and Star Trek: The Next Generation. She also appeared in films, i.e. The Great Gatsby. In 1979, she co-starred in the short-lived CBS series Big Shamus, Little Shamus with Brian Dennehy. In 1983, she co-starred in Philip Marlowe, Private Eye with Powers Boothe on HBO until 1986.
Read more about this topic: Kathryn Leigh Scott
Famous quotes containing the word career:
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)