Joseph Achron - Biography

Biography

Achron was born in Lozdzieje, Russian Empire (now Lazdijai, Lithuania) and began the study of the violin under his father, an amateur violinist, at the age of five. His first public performance followed three years later at age seven in Warsaw. This was followed by a prodigious childhood career including performances throughout Russia. Between 1899 and 1904 he studied violin under Leopold Auer and composition under Anatoly Ljadov, at the conservatory in Saint Petersburg.

He joined the Society for Jewish Folk Music in 1911 and from that point occupied himself in theory and practice with the Jewish music tradition. His first "Jewish" work, Hebrew Melody, became immediately recognized through the interpretation of violinist Jascha Heifetz. In 1913, Achron became the head of the violin and chamber music departments at the Kharkiv Conservatory in Russia, and served in the Russian Army between 1916 and 1918. In the years after World War I, he toured extensively as a concert artist in Europe, the Near East and Russia, performing over 1000 concerts between 1919 and 1922. During this period he was appointed head of the violin masterclass and chamber music department at the Leningrad Artists' Union. In 1922, Achron moved to Berlin, where together with Michail Gnesin he ran the Jewish music publishing company Yivneh. In 1924, Achron spent some months in Palestine.

In 1925, he emigrated to the United States and settled in New York, where he taught the violin at the Westchester Conservatory. He performed his Violin Concerto No. 1 with the Boston Symphony Orchestra in 1927. His incidental music suite from H. Leivick's The Golem, also written during this period, was chosen by the International Society for Contemporary Music (ISCM) for performance in Venice in 1932.

In 1934, he moved to Hollywood, where he composed music for films and continued his career as a concert violinist. He performed his Violin Concerto No. 2 with the Los Angeles Philhamonic Orchestra in 1936 and his third – commissioned by Jascha Heifetz – with the same orchestra in 1939. Atonality and polytonality are among the techniques used in his later works. His final work was the Concerto for solo piano, Op. 74. He died in Hollywood in 1943. A year after his death the Joseph Achron Memorial Committee was formed which included twenty well known composers, instrumentalists, conductors and critics.

He was the older brother of the concert pianist and composer Isidor Achron, who became Jascha Heifetz's accompanist for more than ten years.