Work
Radical Tragedy (1984, 2nd edition 1989, 3rd edition 2004)
In his first book, Dollimore argues that the humanist critical tradition has distorted for modern readers the actual radical function of Early Modern English drama, which had to do with 'a critique of ideology, the demystification of political and power relations and the decentring of “man”' (4).
Political Shakespeare: Essays in Cultural Materialism, edited with Alan Sinfield (1985, 2nd edition 1994)
Treading the same path as Radical Tragedy, this compendium of essays by leading writers on Shakespeare has as its goal to replace our idea of a timeless, humane and civilising Shakespeare with a Shakespeare anchored in the social, political and ideological conflicts of his historical moment. Included are essays by Stephen Greenblatt and Kathleen McLuskie.
Sexual Dissidence (1991)
In Sexual Dissidence, Dollimore sets out “to retrieve lost histories of perversion”, in part by tracing the term “perverse” back to its etymological origins in Latin and its epistemological origins in Augustine. A second theoretical section places Freud and Foucault in dialogue on the subject of perversion, followed by a second historical section, this time, on homophobia.
Death, Desire, and Loss (1998)
In a wide-ranging survey from Anaximander to Aids, Dollimore presses his case that the drive to relinquish the self has always lurked within Western notions of identity and can be found above all, ‘perversely, lethally, ecstatically’ in sexuality.
Sex, Literature, and Censorship (2001)
Dollimore explores the relationship between ethics and aesthetics, centring his discussion on literature’s “dangerous knowledge”. He calls for a shift in critical values from theoretical learning to experiential knowledge, endorsing a criticism capable of “being historically imaginative inside a perspective which one is also critically resisting” (p. 45).
Read more about this topic: Jonathan Dollimore
Famous quotes containing the word work:
“I do not want to be covetous, but I think I speak the minds of many a wife and mother when I say I would willingly work as hard as possible all day and all night, if I might be sure of a small profit, but have worked hard for twenty-five years and have never known what it was to receive a financial compensation and to have what was really my own.”
—Emma Watrous, U.S. inventor. As quoted in Feminine Ingenuity, ch. 8, by Anne L. MacDonald (1992)
“This is the fundamental idea of culture, insofar as it sets but one task for each of us: to further the production of the philosopher, of the artist, and of the saint within us and outside us, and thereby to work at the consummation of nature.”
—Friedrich Nietzsche (1844–1900)
“There was a deserted log camp here, apparently used the previous winter, with its “hovel” or barn for cattle.... It was a simple and strong fort erected against the cold, and suggested what valiant trencher work had been done there.”
—Henry David Thoreau (1817–1862)