Art Song Settings
Many of Masefield's short poems were set as art songs by British composers of the time. Best known by far is John Ireland's "Sea Fever", the lasting popularity of which belies any mismatch between the urgency of the language and the slow, swung melody. Frederick Keel crafted several songs drawn from the Salt-Water Ballads and elsewhere. Of these, "Trade Winds" was particularly popular in its day, despite the tongue-twisting challenges the text presents to the singer. Keel's defiant setting of "Tomorrow", written while interned at Ruhleben during World War I, was frequently programmed at the BBC Proms after the war. Another memorable wartime composition is Ivor Gurney's climactic declamation of "By a bierside", a setting quickly set down in 1916 during a brief spell behind the lines.
Read more about this topic: John Masefield
Famous quotes containing the words art and/or song:
“To thee, fair Freedom! I retire
From flattery, cards, and dice, and din:
Nor art thou found in mansions higher
Than the low cot, or humble inn.
‘Tis here with boundless pow’r I reign;
And ev’ry health which I begin
Converts dull port to bright champagne;
Such Freedom crowns it, at an inn.”
—William Shenstone (1714–1763)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)