JNR Class EF64 - History

History

The class was designed to replace the ageing EF16 class locomotives used on the steeply-graded Ōu and Chūō mainlines in the early 1960s. Two prototype locomotives, EF64 1 and 2, were delivered in 1964, built by Tōshiba and Kawasaki Sharyō respectively. The basic body design was based on that of the earlier EF62s but with the more usual Japanese Bo-Bo-Bo wheel arrangement. Livery from the start was all-over blue with just the lower cab ends painted cream.

Full production started in 1965, continuing to 1976 with loco EF64 79. Minor variations within the class included the discontinuation of the cab ventilation grilles above the marker lights from EF64 46 onward. Locos EF64 1 to 12 and EF64 29 to 55 were equipped with train-heating generators for passenger use, and are distinguishable by the train heating indicator lights next to the cab doors. The DT120A/DT121A bogies were virtually identical to those used on the EF70 class.

The first batch of locos, consisting of EF64 1 to 12, were assigned to the Ōu Main Line between Fukushima and Yonezawa, where their duties included assisting KiHa80 Tsubasa DMUs over the steep gradients.

The second batch, from EF64 13 onward, were allocated to the Chūō Main Line for use primarily on freight duties. With the conversion of the Ōu Main Line from 1,500 V DC to 20 kV AC electrification in October 1968, the first 12 locos were transferred to the Chūō Main Line.

Nowadays, with the exception of a handful of locos owned by JR East/Central/West for charter and occasional passenger haulage, the subclass is divided evenly between Shiojiri and Aichi depots (JR Freight) at either end of the Chūō Line.

Read more about this topic:  JNR Class EF64

Famous quotes containing the word history:

    Let it suffice that in the light of these two facts, namely, that the mind is One, and that nature is its correlative, history is to be read and written.
    Ralph Waldo Emerson (1803–1882)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.
    Mary McCarthy (1912–1989)