Jim Henson - Transition To The Big Screen

Transition To The Big Screen

Three years after the start of The Muppet Show, the Muppets appeared in their first theatrical feature film The Muppet Movie. The movie was both a critical and financial success; it made US$65.2 million domestically and was at the time the 61st highest-grossing film ever made.

A song from the movie, "The Rainbow Connection", sung by Henson as Kermit, hit number 25 on the Billboard Hot 100 and was nominated for an Academy Award. In 1981, a Henson-directed sequel, The Great Muppet Caper, followed, and Henson decided to end the still-popular Muppet Show to concentrate on making films. From time to time, the Muppet characters continued to appear in made-for-TV-movies and television specials.

In addition to his own puppetry projects, Henson aided others in their work. In 1979, he was asked by the producers of the Star Wars sequel The Empire Strikes Back to aid make-up artist Stuart Freeborn in the creation and articulation of enigmatic Jedi Master Yoda. Henson suggested to Star Wars creator George Lucas that he use Frank Oz as the puppeteer and voice of Yoda. Oz voiced Yoda in The Empire Strikes Back and each of the four subsequent Star Wars films. The naturalistic, lifelike Yoda became one of the most popular characters of the Star Wars franchise. Lucas even lobbied unsuccessfully to have Oz nominated for a Best Supporting Actor Academy Award.

In 1982, Henson founded the Jim Henson Foundation to promote and develop the art of puppetry in the United States. Around that time, he began creating darker and more realistic fantasy films that did not feature the Muppets and displayed "a growing, brooding interest in mortality." With 1982's The Dark Crystal, which he co-directed with Frank Oz and co-wrote, Henson said he was "trying to go toward a sense of realism—toward a reality of creatures that are actually alive it's not so much a symbol of the thing, but you're trying to the thing itself." To provide a visual style distinct from the Muppets, the puppets in The Dark Crystal were based on conceptual artwork by Brian Froud.

The Dark Crystal was a financial and critical success and, a year later, the Muppet-starring The Muppets Take Manhattan (directed by Frank Oz) did fair box-office business, grossing $25.5 million domestically and ranking as one of the top 40 films of 1984. However, 1986's Labyrinth, a Crystal-like fantasy that Henson directed by himself, was considered (in part due to its cost) a commercial disappointment. Despite some positive reviews (The New York Times called it "a fabulous film"), the commercial failure of Labyrinth demoralized Henson to the point that son Brian Henson remembered the time of its release as being "the closest I've seen him to turning in on himself and getting quite depressed." The film later became a cult classic.

Henson and his wife separated the same year, although they remained close for the rest of his life. Jane later said that Jim was so involved with his work that he had very little time to spend with her or their children. All five of his children began working with Muppets at an early age, partly because, as Cheryl Henson remembered, "one of the best ways of being around him was to work with him."