Jessye Norman - Oratorio and Orchestral Parts Performed | Oratorio Orchestral Parts Performed

Oratorio and Orchestral Parts Performed

These are among the notable oratorio and orchestral parts that Norman has performed.

(Beethoven), Missa solemnis
(Beethoven), Symphony No. 9 in D minor, soloist
(Alban Berg), "Der Wein"
(Alban Berg), Sieben frühe Lieder, Altenberg Lieder, Jugendlieder
(Berlioz), Les Nuits d'été
(Berlioz), La mort de Cléopâtre, Cléopâtre
(Berlioz), Romeo et Juliette, Juliette
(Brahms), Lieder
(Brahms), A German Requiem
(Brahms), Alto Rhapsody
(Bruckner), Te Deum Helgoland 150 Psalm
(Chausson), Poème de l'amour et de la mer, op. 19
(Chausson), Chanson perpétuelle, op. 37
(Debussy), L'Enfant prodigue La damoiselle élue
(Henri Duparc), Mélodies
(César Franck), Les Béatitudes (oratorio)
(Haendel), Deborah, Deborah
(Mahler), Das Lied von der Erde
(Mahler), Des Knaben Wunderhorn
(Mahler), Songs of a Wayfarer.

(Mahler), Kindertotenlieder.
(Mahler), Symphony No. 2 "Resurrection", soloist
(Mahler), Symphony No. 3, soloist
(Mozart), Die Gaertnerin aus Liebe
(Francis Poulenc), Mélodies
(Ravel), Shéhérazade
(Ravel), Deux mélodies hébraïques
(Ravel), Chansons madécasses
(Erik Satie), Mélodies
(Arnold Schoenberg), Brettl-Lieder
(Arnold Schoenberg), Erwartung
(Arnold Schoenberg), Gurrelieder
(Franz Schubert), Lieder
(Franz Schubert), Erlkönig
(Robert Schumann), Frauenliebe und Leben, op. 42
(Robert Schumann), Liederkreis, op. 39
(Richard Strauss), Four Last Songs (Philips, 1983).
(Richard Strauss), Lieder with piano
(Michael Tippett), A Child of Our Time
(Wagner), Wesendonck Lieder
(Verdi), Requiem
(Hugo Wolf), Lieder

Read more about this topic: Jessye Norman

Famous quotes containing the words parts and/or performed:

“Persecution was at least a sign of personal interest. Tolerance is composed of nine parts of apathy to one of brotherly love.”
—Frank Moore Colby (1865–1925)

“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (1887–1968)