Elements
Throughout its history, jazz dance has developed in parallel to popular music. This pattern of development has resulted in a few elements of movement key to the dance style, the most important being that jazz is they physical embodiment of the popular music of a given time. An example of this is that during a down time of jazz dancing from 1945–1954, when big bands and dance halls were declining, the vernacular of the dance followed less jazz music and leaned more toward rock and roll, creating moves like "The Monkey" and "The Jerk".
Syncopated rhythm is a common characteristic in jazz music that was adapted to jazz dance in the early twentieth century and has remained a significant characteristic.
Isolations are a quality of movement that were introduced to jazz dance by Katherine Dunham.
Improvisation was an important element in early forms of jazz dance, as it is an important element of jazz music.
A low center of gravity and high level of energy are other important identifying characteristics of jazz dance. Other elements of jazz dance are less common and are the stylizations of their respective choreographers. One such example are the inverted limbs and hunched-over posture of Bob Fosse.
Read more about this topic: Jazz Dance
Famous quotes containing the word elements:
“An illustrious individual remarks that Mrs. [Elizabeth Cady] Stanton is the salt, Anna Dickinson the pepper, and Miss [Susan B.] Anthony the vinegar of the Female Suffrage movement. The very elements get the “white male” into a nice pickle.”
—Anonymous, U.S. women’s magazine contributor. The Revolution (August 19, 1869)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
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—Madeleine [Blair], U.S. prostitute and “madam.” Madeleine, ch. 5 (1919)