Tea Ceremony and Flower Arrangement
Chabana (茶花?) is the simple style of flower arrangement used in tea ceremony. Chabana has its roots in ikebana, an older style of Japanese flower arranging, which itself has roots in Shinto and Buddhism.
Chabana evolved from the "free-form" style of ikebana called nageire (投げ入れ?), literally "throw (it) in", which was used by early tea masters. Chabana is said, depending upon the source, to have been either developed or championed by Sen no Rikyū. He is said to have taught that chabana should give the viewer the same impression that those flowers naturally would give if they were growing outdoors, in nature.
Unnatural and/or out-of-season materials are never used. Also, props and other devices are not used. The containers in which chabana are arranged are referred to generically as hanaire (花入れ?). Chabana arrangements typically comprise few items, and little or no filler material. In the summer, when many flowering grasses are in season in Japan, however, it is seasonally appropriate to arrange a number of such flowering grasses in an airy basket-type container. Unlike ikebana (which often uses shallow, wide dishes), tall, narrow hanaire are frequently used in chabana. The containers for the flowers used in tea rooms are typically made from natural materials such as bamboo, as well as metal or ceramic, but rarely glass.
Chabana arrangements are so simple that frequently no more than a single blossom is used; this blossom will invariably lean towards or face the guests.
Read more about this topic: Japanese Tea Ceremony
Famous quotes containing the words tea, ceremony, flower and/or arrangement:
“Picture you upon my knee, just tea for two and two for tea.”
—Irving Caesar (b. 1895)
“We are nothing but ceremony; ceremony carries us away, and we leave the substance of things; we hang on to the branches and abandon the trunk and body.”
—Michel de Montaigne (15331592)
“Why hast thou nothing in thy face?
Thou idol of the human race,
Thou tyrant of the human heart,
The flower of lovely youth that art;”
—Robert Bridges (18441930)
“There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.”
—Gwen Morgan (20th century)